![自然的部分，我们的部分 - [美] 海伦·文德勒](https://static.book345.com/covers/s/9787559892683.jpg)
书籍介绍
在理论术语泛滥、批评日益'价值化'的今天，海伦·文德勒像一位固执的守夜人：她拒绝从'意义'滑向'价值'，坚持让作品自己说话。这本书的真正分量，不在它覆盖了艾略特、普拉斯还是洛威尔，而在她提供了一种近乎'手工活'的读法——把每首诗当作一个独特的句法现场，追问它如何'把寻常音调奏出新鲜'。读者最见仁见智处正在于此：有人爱她'如实言说发生过的事'的锋利判断，也有人嫌她理性成分过重、不够亲切。它不适合寻求'如何欣赏诗歌'速成指南的人，却适合那些愿意相信：单凭对一句诗法的耐心，就能触到一个人不可替代的声音。
作者简介
【作者简介】
海伦·文德勒（Helen Vendler 1933—2024）
美国文学评论界的领军人物，被称为当代极为优秀、敏锐的诗歌评论家之一。1933年出生于马萨诸塞州，1960年获得哈佛大学文学博士学位，先后在康奈尔大学、波士顿大学等大学任职。1984年开始在哈佛 大学英语系任教，兼任美国艺术与科学研究院院士。1990年，被任命为哈佛大学亚瑟·金斯利·波特讲座教授。文德勒专注于诗人和诗歌作品的细读，被誉为具有“铁血战士般的战斗力”，是一位“力量型的诗歌读者”。她多年来笔耕不辍，推出多部关于英美诗人的专著，因为卓越的贡献，获得了代表美国最高人文成就的国家人文基金等无数荣誉和奖项。代表作有《约翰·济慈的颂歌》《打破风格》《诗人的成年》《看不见的倾听者》《最后一眼，最后一言》《花朵与漩涡》《大海，飞鸟和学者》等。
【译者简介】
杨东伟
青年译者，文学博士，诗歌研究者，译有《十扇窗：伟大的诗歌如何改变世界》《未知的爱：伊丽莎白·毕肖普传》《自然的部分，我们的部分：美国现代诗人》（合译）。
拓野
原名赵子越，诗人，译者，编辑，复旦大学哲学博士候选人。《合流》联合创办人。
AI导读
核心看点
- 摆脱学院气，重拾对诗歌的热忱与判断力
- 细读艾略特、普拉斯等诗人，呈现其世界观
- 拉近读者与诗人距离，还原批评中的人性温度
读者共识
- 文德勒是天赋异禀的细读者，句法分析极佳
- 严厉但公正，拒绝陈词滥调，赞赏忠实感知
- 部分读者认为理性成分过多，略显守旧
精彩摘录
- "It took me some time for me to discover that poetry--especially modern poetry--did not seem accessible or natural to many readers; this gulf in understanding prompted the substance and tone of most of my reviews. My own preference is to focus on poets one by one, to find in each the idiosyncratic vo"
- "The preeminent question life asked of Stevens was whether the sublime was livable. Steven's sense of the world became one of extreme relativity, and an almost killing skepticism arose in him about his own statements, even those most deeply felt. "The things that we build or grow or do are so little "
- ""I can but put my weapon up, and Bow you out... Since in your hearing words are mute, which to my senses Are a shout" Jean Garrigue, so far her best critic, wrote,"Of Observations (a volume of her poems) one might say: it is first and last a voice. The voice of sparkling talk and sometimes very loft"
- "A crusty crankiness at modern life in Manhattan opens this collection: we live in "numbered caves in enormous jails," surrounded by the "lawless marches" of the Asphalt Lands; "mean cafes" entertain the lazy, while the stultified workers view "vulgar rubbish" and listen to "witless noise", making th"
- "the "awful but cheerful" activities of the world include the acts by which man domesticates his surroundings, even if those surroundings are purely mechanical, like the filing station or the truck in Brazil painted with "throbbing rosebuds". The definition of life in the conversion of the strange to"
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