Cruel Optimism

Lauren Berlant

出版时间

2011-10-27

ISBN

9780822351115

评分

★★★★★
书籍介绍

Cruel Optimism provides important new ways of understanding subjectivity, temporality, attachment, and the political in the present moment. Lauren Berlant explores individual and collective affective responses to the unravelling of the U.S. and European economies by analyzing mass media, literature, television, film, and video produced in the United States and Europe since 1990...

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AI导读
核心看点
  • 本书核心概念为“残酷的乐观主义”,指当个体依恋的对象(如某种生活方式或关系)实际上阻碍了其自身繁荣与满足时,这种关系便变得残酷。作者指出,所有依恋本质上都包含乐观预期,但当预期落空且对象成为障碍时,便产生痛苦与停滞。
  • 作者深入剖析新自由主义语境下,美国及欧洲社会中“美好生活”幻想的瓦解过程。书中探讨了向上流动、工作保障、政治平等及持久亲密关系等传统承诺的失效,揭示了这些规范如何从社会基石转变为导致个体焦虑、绝望与生存危机的根源。
  • 本书拒绝简单的反规范立场,而是试图在解构常规的同时,寻找超越反规范性的新路径。作者通过分析电影、电视等大众文化文本,提出“情境悲剧”等新概念,旨在理解当下时刻的困境,并探索在危机中重建主体性与政治可能性的伦理方式。
适合谁读
  • 适合对情感理论、文化研究及批判理论感兴趣的社会学、哲学与性别研究学者。本书是情感研究领域的经典之作,适合希望深入理解情感如何被政治化、规范化以及情感如何影响社会结构与个体生存状态的学术读者。
  • 适合关注当代社会心理困境、新自由主义批判及社会不公议题的读者。如果你对社会转型期个体的焦虑、失落感以及“美好生活”承诺的破灭有深刻体验或研究兴趣,本书提供了极具洞察力的理论框架与分析工具。
  • 适合对大众文化分析、电影研究及媒介批评感兴趣的研究者。书中大量引用并分析1990年以来的欧美影视、文学及媒体内容,展示了如何通过文化文本解读社会危机与情感结构,为文化批评提供了新的方法论视角。
读前提醒
  • 本书理论密度极高,语言晦涩且充满抽象术语,阅读难度较大。建议读者已具备一定的情感理论、批判理论或社会学基础,否则极易因概念缠绕而感到挫败。若感到困惑,可先阅读相关导读或二手文献以辅助理解核心概念。
  • 不要试图寻找简单的解决方案或乐观的结论。作者旨在揭示困境的结构性根源,而非提供逃避痛苦的心理安慰。读者需调整预期,接受书中对“无解”状态的严肃探讨,并反思自身对“正常生活”的依恋是否构成了某种阻碍。
  • 建议结合书中提及的具体文化案例(如电影《罗塞塔》、《承诺》等)进行阅读,这有助于将抽象理论具象化。同时,可对比阅读萨拉·艾哈迈德的《幸福的承诺》等著作,以更深入理解作者关于依恋、规范与政治的复杂立场。
读者共识
  • 读者普遍认为本书概念极具原创性与洞察力,对理解当代人的生存困境、焦虑与失落感提供了深刻的理论支持。尽管阅读过程艰难,但许多读者认为其对人性的理解充满温柔,对系统性压迫的批判具有强大的政治力量与启发性。
  • 大量读者反馈本书语言极其晦涩、绕口,阅读体验痛苦,甚至超过巴特勒等难懂的理论家。部分读者批评其论证不够清晰,认为其未能提供切实可行的行动指南,仅停留在理论层面的解构,对普通读者而言难以消化且缺乏实用价值。
  • 尽管存在阅读障碍,但读者高度认可作者对“常规”与“规范”的复杂态度。读者认为作者并非简单地反对正常生活,而是试图在解构有害规范的同时,探索新的生存可能性。这种在绝望中寻找微光、在困境中保持伦理关怀的立场,获得了广泛尊重。

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "These kinds of potimistic relation are not inherently cruel. They become cruel only when the object that draws your attachment actively impedes the aim that brought you to it initially. All attachement is optimistic, if we describe optimism as the force that moves you out of yourself and into the wo"
  • "But individuality—that monument of liberal fantasy, that site of commodity fetishism, that project of certain psychoanalytic desires, that sign of cultural and national modernity—is to me a contrary form, a form already interrupted by inconstancy that has a hard time bearing it."
  • "...to excitement at the prospect of "the change that's gonna come." Or, the change that is not going to come: one of optimism's ordinary pleasures is to induce conventionality, that place where appetites find a shape in the predictable comforts of the good-life genres that a person or a world has se"
  • "Such that a person or a world finds itself bound to a situation of profound threat that is, at the same time, profoundly confirming. At center of ths project, though, is that moral-intimate-economic thing called "the good life.""
  • "The fantasies that are fraying include, particularly, upward mobility, job security, political and social equality, and lively, durable intimacy. The set of dissolving assurances also includes meritocracy, the sense that liberal-capitalist society wil lreliably provide opportunities for individuals "
  • "The genre of crisis is itself a heightening interpretive genre, thetorically turning an ongoing condition into an intensifided situation in which extensive threats to survival are said to dominate the reproduction of life."
  • "Marcuse's propetic description of postwar U.S. society charts it out: while people comfort themselves with stories about beating the system or being defeated by it, they "continue the struggle for existence in painful, costly and obsolete forms.""
  • "In the artwork or in response to other scenes, when an apprehending sensorium senses a potentially significant threat to the ordinary's ongoing atmosphere, it sparks the rhythms of situation tragedy, with its menacing new realism. Genres provide an affective expectation of the experience of watching"
作者简介
Lauren Berlant is George M. Pullman Professor of English at the University of Chicago. She is the author of The Female Complaint: The Unfinished Business of Sentimentality in American Culture and The Queen of America Goes to Washington City: Essays on Sex and Citizenship, both also published by Duke University Press, as well as The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life. She the editor of the books Intimacy; Compassion: The Culture and Politics of an Emotion; and (with Lisa Duggan) Our Monica, Ourselves: The Clinton Affair and National Interest.
目录
Acknowledgments
Introduction. Affect in the Present
1. Cruel Optimism
2. Intuitionists: History and the Affective Event
3. Slow Death (Obesity, Sovereignty, Lateral Agency)

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用户评论
very engaging(指读得懂的部分)
虽然我还是觉得Berlant可以把话说得更简单一些,但是不得不承认她给我们在这个充满了不确定性的世界里指明了一条有可能的道路,至少我可以开始试着尝试面对我追求的a better good life了。
听到有人批评说fancy word,可能我的境界就只停留在这一层吧,语言的局要语言去破,一个好的词可以激发一系列思考。
Knowing how to access what's unraveling there is one way to measure the impasse of living in the overwhelmingly present moment
就這個概念本身真的。太。戳。了。
看感动了
残酷的乐观/转变是所有事情被理解之前在身体上被体验到的一种冲击;通过充满了许诺的新对象和新场景,存在可以被革命性地提升——这是一种常见的幻想
These kinds of potimistic relation are not inherently cruel. They become cruel only when the object that draws your attachment actively impedes the aim that brought you to it initially. 泪目
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