Museum of Words - James A. W. Heffernan

Museum of Words

James A. W. Heffernan

出版时间

2004-04-01

ISBN

9780226323145

评分

★★★★★
书籍介绍

Ekphrasis is the art of describing works of art, the verbal representation of visual representation. Profoundly ambivalent, ekphrastic poetry celebrates the power of the silent image even as it tries to circumscribe that power with the authority of the word. Over the ages its practitioners have created a museum of words about real and imaginary paintings and sculptures.

In the first book ever to explore this museum, James Heffernan argues that ekphrasis stages a battle for mastery between the image and the word. Moving from the epics of Homer, Virgil, and Dante to contemporary American poetry, this book treats the history of struggle between rival systems of representation. Readable and well illustrated, this study of how poets have represented painting and sculpture is a major contribution to our understanding of the relation between the arts.

James A. W. Heffernan is a professor of English at Dartmouth College.

目录
List of Illustrations
Acknowledgments
Introduction
1. Homer, Virgil, Dante
A Genealogy of Ekphrasis

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用户评论
James Heffernan offers a comprehensive account of ekphrasis from Homer to postmodernist poets. The gendered tension between image and word is inspiring for reading nineteenth-century poems though only Robert Browning is included as examples. Recommend the chapters on Philomela’s woven tapestry and the Romantics’ iconophilic/iconophobic poetry
Heffernan认为krieger把ekphrasis提升到一种文学模式或原则,对语象叙事的发展做出很大贡献,但给出的定义太过宽泛;作者把语象叙事研究对象限定在视觉再现(作品)的文学再现这个范畴。强调语象叙事不只是装饰的,或只意味着莱辛所说的叙事的中断,而是有自己的叙事功能和文本意义。分析得特别深刻有趣,语象叙事概念本身不难理解,难的是如何透过这个视角分析出新意,作者将语象叙事和凝视、社会性别批评等结合,梳理出男性语象叙事和Philomena女性图像发声以及美杜莎模型等谱系与概念。认为浪漫主义时期随着博物馆的建立,人们得以细致审视艺术品,语象叙事诗专门文类出现,但艺术品和艺术欣赏永远具有当下性,语象叙事中常常涉及的transcendence是个悖论。从荷马但丁到后现代,文图之争贯穿始终。
representational friction (words and image), the turning of fixed forms into narrative (the tension between description and narration), gendered prosopopeia (the speaking male viewer and the silent female object---the language's anxiety, desire and control of the seen)
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