"再说还有那种恐怖感,那种强烈的无能为力的感觉,因为父母把这条生命交到你手里的时候期望你活到老,期望你宁静地与其同行,而你却不能。 Then (she had felt it only this morning) there was the terror; the overwhelming incapacity, one's parents giving it into one's hands, this life, to be lived to the end, to be walked with serenely; there was in the depths of her heart a"
①城市漫游(历时性):地理环境如何寄寓战前回忆,Big Ben隐含的时间线索&多视点(共时性):连结大众注意力的同一事件(aeroplane及钟声),承载众生相的Regent Park;②抵抗时间的两种方式(Clarissa的超验主义观,有限生命向人际与自然延展继而永恒&Septimus以死亡抗拒生活的平庸);③人际交往中视域的局限与理解的艰难,具体呈现为两种生活态度的龃龉(penetration&respect for the privacy of the soul);④战争导致的感受力丧失,个人的麻木与遗忘方能维系集体荣誉宏大叙事;⑤莎翁作为正典如何被纳入现代主义叙事(Cymbeline,Othello,Sonnet,Antony and Cleopatra, Richard II)
2022-06-05
三年前的夏天在伦敦看时时刻刻的觉醒感还在,但回过头看,不及尤利西斯第13一章。
第一遍。喜欢书脊上用Clarissa眼睛的这个意象。对比卞之琳,Woolf对“看“的回环表述,深刻丰富太多:C看对窗老太 "Somehow one respected that -- that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it -- but love and religion would destroy that, whatever it was, the privacy of the soul" 和最后C得知Septimus的死:"So she saw it"。Woolf短句冲击力太大了
看了一个月 几乎什么也没摸清 囧, 剩20%
My second favorite VW so far. “Are we not all prisoners? She had read a wonderful play about a man who scratched on the wall of his cell, and she had felt that was true of life — one scratched on the wall”