Leonardo da Vinci

Walter Isaacson

出版时间

2017-10-17

ISBN

9781501139154

评分

★★★★★
书籍介绍
The #1 New York Times bestseller “A powerful story of an exhilarating mind and life...a study in creativity: how to define it, how to achieve it.” —The New Yorker “Vigorous, insightful.” —The Washington Post “A masterpiece.” —San Francisco Chronicle “Luminous.” —The Daily Beast He was history’s most creative genius. What secrets can he teach us? The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography. Based on thousands of pages from Leonardo’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius. His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history’s most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo’s lifelong enthusiasm for staging theatrical productions informed his paintings and inventions. Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it—to be imaginative and, like talented misfits and rebels in any era, to think different.
AI导读
核心看点
  • 揭示达芬奇跨学科思维,连接艺术与科学
  • 基于手稿还原其好奇心驱动的创新历程
  • 展现天才如何将观察力转化为创造力
适合谁读
  • 对文艺复兴历史及艺术史感兴趣的读者
  • 渴望提升创造力与跨界思维的职场人
  • 艾萨克森传记系列及达芬奇爱好者
读前提醒
  • 需耐心阅读,内容涉及大量科学细节
  • 建议结合达芬奇画作与手稿图片对照
  • 关注作者对好奇心与拖延的辩证分析
读者共识
  • 达芬奇的好奇心是天才的核心驱动力
  • 作者文笔生动,但部分科学内容较枯燥
  • 重新定义了拖延与观察在创作中的价值

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "如今有一种让人担心的新的“知识无用论”,并非认为只是没用,而是认为“那些知识对我没用”,或者“即使知道了又怎样,又不能变现”。从这样想的那一刻开始,我们已经在无趣的道路上愈走越远了。"
  • "银鼠也是纯洁的象征。“银鼠宁死也不愿被玷污。”列奥纳多在一则动物寓言中写道。寓言中还写道:“出于节制,银鼠每天仅进食一次,为了保持洁白无瑕,它宁可被猎人逮住,也不愿意藏身于肮脏的洞穴。”"
  • "“与列奥纳多不同,米开朗琪罗经常挑起争执。他曾经侮辱一位年轻的画家彼得罗・托里贾诺,他们俩一起在佛罗伦萨的一座小教堂里作画;托里贾诺回忆道,“我攥紧拳头,朝着他的鼻子狠狠一击,只觉得骨头和软骨就像干一样在我的指关节下塌陷”。米开朗琪罗自那之后,鼻梁一直是变形的。再加上他略微驼背、通遢的形象,这些都和英俊、健壮、时尚的列奥纳多形成了鲜明的对比。米开朗琪罗还与其他很多艺术家为敌,其中包括被他称为“笨拙艺术家”的彼得罗佩鲁吉诺,后来佩鲁吉诺起诉他诽谤,但是未果。 列奥纳多外貌英俊,彬彬有礼,口才极佳,衣着华丽。”米开朗琪罗的传记作家马丁盖福德写道,“相反,米开朗琪罗有一种神经质的诡秘。”据另外一位传"
  • "他还认为绘画的地位高于雕塑。画家必须表现出“光影和色彩”,而雕塑家则无须考虑这些。“因此雕塑顾虑较少,所以比起绘画也无须那么多的聪明才智。” 7 此外,雕塑是一项脏乱的差事,不适合宫廷中的绅士。雕塑家“身上沾满了大理石灰……他身处肮脏的环境,到处都是石头的碎屑和粉尘”,然而画家“轻松自在地坐在他的作品前。他衣着讲究,挥动轻盈的画笔,笔上蘸着细腻的色彩”。"
  • "列奥纳多年近五十岁的时候,又一次回到了佛罗伦萨生活,他和他的家族在当地都赫赫有名,不过他依然我行我素,不仅没有入乡随俗,反而刻意特立独行,衣着华丽,举止招摇。他曾在笔记本里记录了自己箱子里存放的衣物。“一件塔夫绸的长袍,”他在一开始写道,“一件有天鹅绒衬里,可以当作长袍的衣服,一件阿拉伯式连帽呢斗篷,一件灰玫瑰色的长袍,一件玫瑰色的加泰罗尼亚长袍,一件有宽领和天鹅绒兜帽的深紫色披风,一件深紫色缎子外套,一件深红色缎子外套,一双深紫色长袜,一双灰玫瑰色长袜,一顶粉色的帽子。” 3 这些看起来就像他在某次表演或化装舞会中的行头,但是从同时代的记录中,我们得知,他在城里穿行时,衣着确实如此。这是一幅"
  • "我原以为我在学习如何生活,其实我一直在学习如何死亡。"
  • "Many people by puffing out a breath with too much haste will thereby lose their sight and soon after all consciousness"
  • "因为那时的优质纸张价格昂贵,列奥纳多设法充分利用每一个边边角角,尽可能在每一页记下更多内容。他还把来自不同领域、看似随机的内容堆放在一起。他经常会在几个月或者数年后再返回到某一页笔记,写下新的想法,就像他翻回头去修改圣杰罗姆或后来其他作品那样,随着技巧或想法的发展成熟,不断完善之前的工作。"
作者简介
Walter Isaacson, University Professor of History at Tulane, has been CEO of the Aspen Institute, chairman of CNN, and editor of Time magazine. He is the author of Leonardo da Vinci; Steve Jobs; Einstein: His Life and Universe; Benjamin Franklin: An American Life; and Kissinger: A Biography. He is also the coauthor of The Wise Men: Six Friends and the World They Made.
用户评论
二刷之后觉得好像离他的心灵世界更近了,他的石头寓言(离乡),他对人生意义的质问(怀才不遇),他对强者的“仰慕”,还有他对自然、对情人、对性向的态度,真的只能越来越爱他。
covid read
看得特别想练习画画,什么都不是天生的,都是练出来的
Man of a century. Driven by pure curiosity and wonders of nature. A painter, engineer, musician, anatomist, scientist....and I will always moved dearly by Leonardo's drive to simply describe the tongue of the woodpecker, like a child. Take joy for its own sake, not for the world.
读了Blinkist汇编版
Tremendous respect to Leonardo and Mr. Isaacson. (30/1-26/3/2022)
这本写得非常流畅,以Leonardo的笔记为线索,一点点展开他倾注心血和热情的点点滴滴……作者始终在强调,我们不能否认Leonardo是天才,有着我们无法企及的天赋,但同时要看的他也是一个活生生的人,也正因如此,他的画作、研究才变得更为生动和鲜活,充满革命性以及发展的可能……最重要的点可能是,带着好奇心关注一切“无用”的东西,带着热情深挖到极致,始终相信提升到可能(这也许不会让我成为一个全能大师,但是给了我procrastinate的理由(bushi
從他的畫作和筆記裡來看一個天才的一生。把他對自然現象的琢磨和對繪畫技巧的實驗的畢生所學集大成到一幅蒙娜麗莎上,再回到一開頭的問題“啄木鳥的舌頭是什麼樣的”,用他的好奇心大開大閤貫穿全文。當然像我這種重點總是抓錯的人最後從書中得到最重要的信息就是,stay foolish, stay procrastinating (bushi 有聲書對於這種需要前前後後各種翻看圖像的書實在不太友好,希望有一天能收藏到實體書(或是去看真跡──啊羨慕作者能看到Vitruvian man的真跡嗚嗚嗚
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