What Is a World?

Pheng Cheah

出版时间

2016-01-01

ISBN

9780822360926

评分

★★★★★
书籍介绍

In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation. Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature’s exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization.

Pheng Cheah is Professor of Rhetoric and Chair of the Center for Southeast Asia Studies at the University of California, Berkeley. He is the author of Inhuman Conditions: On Cosmopolitanism and Human Rights and Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation.

作者简介
Pheng Cheah is Professor of Rhetoric and Chair of the Center for Southeast Asia Studies at the University of California, Berkeley. He is the author of Inhuman Conditions: On Cosmopolitanism and Human Rights and Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation.
目录
Acknowledgments
Introduction: Missed Encounters: Cosmopolitanism, World Literature, and Postcoloniality
Part I. The World of World in Literature in Question
1. The New World Literature: Literary Studies Discovers Globalization
2. The World According to Hegel: Culture and Power in World History

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用户评论
对Casanova/Moretti的世界文学理论批评比较到位,指出他们理论中的“世界world”不过是资本主义现代性扩张造就的空间“全球globe”,而文学的意义被放在流转、交换、增殖等资本/商品化的思路中来理解,成为全球化条件下的二等品,其更高级的精神/实践意义受到忽略。Cheah花大力气梳理西方主流理论家如何理解“世界(文学)”,重新强调基于时间性的文学的normative force,或者说worlding的能力,这在后殖民条件下成为超越资本主义现代性的潜能。我的看法在于,书的前三分之二的纯理论堆砌涉及太多条思路,过于沉重,但作者的偏好应用很明显(比如明显更依赖阿伦特谈实践/世界),很多理论部分在后面的小说文本分析中找不到有何用处(文本阅读其实也比较直露、简单)。
对黑格尔 海德格尔 阿伦特和德里达的理论综述还可以参考 剩下的部分 用Christopher Hill的话来说就是一个字:unhelpful
2017年读过
无论理论部分还是应用部分都挺粗糙的
世界文学的关键还是重申人类精神的时间维度
"What is a world?", or, more precisely, whether the world is a normative or merely descriptive category, and, literature's causality in relation to the world. 每天每天有意无意问自己的问题。
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