The Copenhagen Trilogy

Tove Ditlevsen

出版时间

2021-01-26

ISBN

9780374602390

评分

★★★★★
书籍介绍
Called "a masterpiece" by The Guardian, this courageous and honest trilogy from Tove Ditlevsen, a pioneer in the field of genre-bending confessional writing, explores themes of family, sex, motherhood, abortion, addiction, and being an artist. This single-volume hardcover contains all three volumes of her memoirs Tove Ditlevsen is today celebrated as one of the most important and unique voices in twentieth-century Danish literature, and The Copenhagen Trilogy (1969–71) is her acknowledged masterpiece. Childhood tells the story of a misfit child’s single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband. Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today’s discussions around feminism. Ditlevsen’s trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up―in this sense, it’s Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction. Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with "Tove fever" gripping readers.
AI导读
核心看点
  • 丹麦国宝级作家托芙的自传体回忆录三部曲。
  • 坦诚剖析贫困童年、四次婚姻与药物依赖。
  • 被誉为打破性别壁垒、直面女性困境的杰作。
适合谁读
  • 关注女性成长、心理创伤与自我救赎的读者。
  • 喜爱诚实、犀利且带有疏离感文风的文学爱好者。
  • 对北欧文学及二战后社会背景感兴趣的人群。
读前提醒
  • 全书基调沉重压抑,请做好心理准备,避免深夜阅读。
  • 建议按童年、青年、依赖顺序阅读,感受命运转折。
  • 作者笔触冷静旁观,需体会其文字背后的巨大痛苦。
读者共识
  • 文字极具穿透力,童年部分惊艳,后半部令人窒息。
  • 作者极度渴望爱却深陷深渊,结局悲剧且无闭环。
  • 被誉为被低估的文学遗珠,其勇气与真实令人震撼。

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "清晨,有希望。"
  • "我快要六岁了,很快就会去上学,因为我能阅读和书写。妈妈自豪地告诉所有愿意听她说话的人。她说:穷人家的孩子也能有好脑子。所以她或许是爱我的?我和她的关系是亲密的,痛苦的,脆弱的,我总要不断地从中寻找任何爱的迹象。我做的每件事,都是为了取悦她,逗她笑,防止她生气。这当中的工作极其艰巨,因为与此同时,我还要向她隐瞒许多事。"
  • "我开心地说:我也想做一个诗人!他马上就皱起眉头,严肃地说:别傻了!女孩是不可能成为诗人的。我被冒犯也被伤害了,缩回自己的躯壳中,妈妈和埃德温取笑着我荒唐的想法。我发誓再不会向任何人吐露我的梦想,整个童年都坚守着这个誓言。"
  • "我的同学觉得我身上有不可抵抗的无尽笑料,而我也逐渐适应了小丑的角色,甚至从中得到了悲哀的慰藉,因为这和我毋庸置疑的愚蠢叠加在一起,就能保护我不被他们的尖酸所伤害,那是他们对待任何与众不同的人持有的怪异姿态。"
  • "童年就像一具棺材,长长的,窄窄的,单靠自己出不来。"
  • "我就是那种狡猾的孩子,我的面具就是我的愚蠢,我总是很小心,不让任何人撕去它。"
  • "无论你向何处转身,都会撞上你的童年,伤到自己,因为它的边缘很锋利,很坚硬,只有在你完全被撕裂的时候,伤害才会停止。"
  • "有一天,我的童年闻起来是血的味道。"
作者简介
Tove Ditlevsen was born in 1917 in a working-class neighborhood in Copenhagen. Her first volume of poetry was published when she was in her early twenties and was followed by many more books, including the three volumes of the Copenhagen Trilogy: Childhood (1967), Youth (1967), and Dependency (1971). She died in 1976.
用户评论
Tove 真是个从小观察力就极其敏锐的聪明人。如此坦诚的叙述,第三部话锋急转,尤其精彩却也尤其令人焦心,读到第三部的名字在丹麦语里有 marriage 和 poison 的双重含义,译成 dependency 真是合适。少年时迫不及待想熬过眼前日子,谁知路的尽头是黑暗虚无。
很真实的叙述,一步一步走来,没有想到最后一部的名字居然是dependency,有点伤感,有点讽刺。
A Danish woman poet and writer recounts her life in Copenhagen during WWII. It is brutally honest with absorbing prose, at times reads like a suspense. The part that stood out for me is the constant struggle-for independence as a person, against the darkest urge, and to create as a writer. The ending felt a bit rushed. An interesting read overall.
少见的自我剖析,更少有的是作为创作者承认她的世界只有自我与写作,希特勒掌权了她关心的是自己的诗集还能不能出版,快四百页文字中没有一丝对他人和世界的关怀,也是惊人
incredibly bland but then also graciously brave
这本比她的短篇集更好。尽管短篇集的很多篇幅是三部曲中故事的再创作,到了短篇里就有点用力过猛了
跟着childhood读完了youth和dependency,后来越读越感到薄凉,Tove在Childhood的书写就让我感到一些隐隐的不安,她似乎是扎根于深深拥有渴望爱和寻求爱的本能,但从中出现的人们,他们更仅仅像是不同阶段扎向自身的碎片,她的诗让我感到,在对于生活的长久浸润当中,某种瞬发性的流动与回想,所以我几乎不能够想出她笔下的丹麦,以及哥本哈根,因为她与外界的关系给我一种永久的隔绝,所以我还是想,比起书名而言,后续的一个个阶段,更像围绕她为中心缓慢展开的阶段,而Tove的哥本哈根,已经是一个无法逃脱的地点了,一个她后来感到破碎的内核,她已无法承受,但汲求一种更为广阔,更为舒缓,更为持续至一生的爱与生活。
heartbreaking,家里有个瘾君子或是酒鬼真是要命的事情。
喜欢作者的笔触,勾勒回忆时是寥寥数语的绵里藏针。尤其对她笔下那段未经美化的童年,对自身年少的厌倦,以及置身事外的疏离感颇有共鸣。极具写作天赋的她从小洞察力便细致入微,但其实她唯一关心的只是自己的诗集能否得以出版,至于身边所有的人事物,哪怕是自己的困扰,也都不过是她写作的素材。我有些震惊于她的坦率,那是种艺术家难能可贵的自(私)我告白。我虽远不及她般才华横溢,然心有戚戚。读毕只觉相见恨晚,便去查了作者的生平,方知她终在四段婚姻后选择以自杀(吞食安眠药)的方式结束生命,惋惜但却并不意外。愿她终获安息。
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