A Streetcar Named Desire

Tennessee Williams

出版时间

2009-07-01

ISBN

9780141190273

评分

★★★★★
书籍介绍

Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. This Penguin Modern Classics edition includes an introduction by Arthur Miller.'I have always depended on the kindness of strangers'Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century.Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972).If you enjoyed A Streetcar Named Desire, you might like The Glass Menagerie, also available in Penguin Modern Classics.'Lyrical and poetic and human and heartbreaking and memorable and funny'Francis Ford Coppola, director of The Godfather'One of the greatest American plays'Observer

Tennessee Williams was born in 1911 in Columbus, Mississippi, where his grandfather was the episcopal clergyman. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a s...

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AI导读
核心看点
  • 幻想与现实在布兰奇和斯坦利身上激烈碰撞
  • 展现南方旧贵族在现代社会中的崩溃与幻灭
  • 深刻揭示人性脆弱、欲望与孤独的主题
适合谁读
  • 对美国文学及经典戏剧感兴趣的读者
  • 喜欢剖析复杂人性与心理冲突的读者
  • 研究田纳西·威廉斯或南方哥特风格的学者
读前提醒
  • 注意剧本中音乐与灯光等舞台指示的象征意义
  • 对比阅读原著剧本与电影改编,体会文本张力
  • 关注角色对话背后的潜台词与情感压抑
读者共识
  • 剧本对白张力极强,比电影更具想象空间
  • 布兰奇的悲剧令人动容,充满破碎美感
  • 深刻反映男权社会下女性与弱者的困境

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "所以进入这个破碎世界的是我 为了追寻爱情相伴的幻影,它的声音 在风中一闪即逝(我不知它要去往何处) 短促得来不及抓住每次的抉择。 ——哈特・克莱恩,《断塔》(P3)"
  • "我已经没有别的地方可去了。我已经精疲力竭了。你知道什么叫精疲力竭吗?可是我的青春又突然涌动起来——我遇到了你。你说你需要个人。是呀,我也需要个人。我为了你感谢上帝,因为你好像很温柔——好像是这个乱石丛生的世界上我可以藉以藏身的一道缝隙!可是我大概是要求得,希望得——太多了!基费伯、斯坦利和肖已经在我这只风筝的尾巴上拴上了个旧铁皮罐。(P174)"
  • "不管你是谁——我总是指望陌生人的慈悲。(Whoever you are. I have always depended on the kindness of the strangers.)(P210)"
  • "问:这么多的烟雾都是从何而来? 答:你开始往火上浇水的时候烟冒得最厉害。 问:不过你总该承认,在你较近的几部作品中确实带有一种刺目、冰冷、暴力和愤怒的今人不安的调子吧? 答:我想,这是由于我不由自主地顺应了我生活的这个世界和时代那日甚一日的愤怒和暴力的压力,通过身为作家和普通人的自我那日甚一日的压力自然释放出来的。(P213)"
  • "难道你没注意到大家都正在你周围纷纷倒下,就像过了季节的飞蛾?这就是我们生活的这个世界和时代现存的暴力和恐怖的瘟疫造成的结果。(P215)"
  • "比如说我一直在呼喊,几乎是在尖叫,唤醒大家在全世界范围内加倍地去更好地认识自己、相互认识的迫切需要,直到大家都不得不承认:没有任何人能够独占正义或德行,就正如没有任何人会垄断欺骗和邪恶一样,如此等等。如果人们,如果各个种族和民族都能以这个不证自明的事实为出发点,那么我认为这个世界就有可能避开腐化、堕落的劫难,而世界的这种腐化和堕落正是我的整个戏剧创作所不由自主选定的基本的讽喻的主题。(P216)"
  • "我对作家并无特别的偏爱。不过我倾向于认为大部分作家,大部分其他门类的艺术家也一样,在他们所从事的这种孤注一掷的行业当中,从本源上说都是受到一种渴望的激发,即:将真相从他们生活于其间的谎言和遁词的合成体中分离出来,而且我认为,正是这种本能的冲动使他们的工作不只是一种职业,而成为一种真正的“灵魂召唤”、一种“天命所归”。(P217) 唉,我这辈子不论碰到什么人,但凡我能够完全彻底地认识他并且理解了他,我都会无一例外地爱上他,而在我的作品中我至少尽我所能地做到认识和理解。 我不相信什么“原罪”。我不相信“罪恶”。我也不相信人有恶棍和英雄之分——人只有走对了路和走错了路的分别,而且这对错并非源自他们自"
  • "我对作家并无特别的偏爱。不过我倾向于认为大部分作家,大部分其他门类的艺术家也一样,在他们所从事的这种孤注一掷的行业当中,从本源上说都是受到一种渴望的激发,即:将真相从他们生活于其间的谎言和遁词的合成体中分离出来,而且我认为,正是这种本能的冲动使他们的工作不只是一种职业,而成为一种真正的“灵魂召唤”、一种“天命所归”。"
作者简介
Tennessee Williams was born in 1911 in Columbus, Mississippi, where his grandfather was the episcopal clergyman. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He entered the University of Iowa in 1938 and completed his course, at the same time holding a large number of part-time jobs of great diversity. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), Summer and Smoke (1948), The Rose Tattoo (1951), Camino Real (1953), Cat on a Hot Tin Roof (1955), Orpheus Descending (1957), Sweet Bird of Youth (1959), Period of Adjustment (1960), The Night of the Iguana (1961), The Milk Train Doesn't Stop Here Anymore (1963; revised 1964) and Small Craft Warnings (1972).
用户评论
偏执寂寞支离破碎摇摇欲坠
Whoever you are — I have always depended on the kindness of strangers.
“你无法不爱新奥尔良这些多雨的下午,它们如此漫长,一个小时不再是一个小时,而是滴落在你手心的一小片永恒。”
原版很好看,网上找的中译本糟透了,以后尽量都看原版。
原本以为剧本这种东西就是用来演戏剧拍电影的,现在看来白字黑字上对白的张力或许更甚一筹,毕竟有更多想象和模拟人物的空间
Elysian field, place driven by desire
陪我坐了很多次火车,终于读完了。说实话没看懂但是有一种巨大的无力感。😂
They told me to take a streetcar named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at—Elysian Fields!
好笑的是看这本书竟然是因为以为它是电影欲望号快车的原本,看完书之后更想看这个戏剧,属于那个年代美国的阴暗街角,又游荡着永不褪色的永恒欲望。
好的剧本永不过时
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