Clarissa

Samuel Richardson

出版时间

1985-08-29

ISBN

9780140432152

评分

★★★★★
书籍介绍

Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, and translated into French and German, it remains one of the greatest of all European novels.

In his introduction, Angus Ross examines characterization, the epistolary style, the role of the family and the position of women in Clarissa. This edition also includes a chronology, suggestions for further reading, tables of letters, notes, a glossary and an appendix on the music for the "Ode to Wisdom."

Samuel Richardson (1689-1761) was born in Derbyshire, the son of a joiner. He received little formal education and in 1706 was apprenticed to a printer in London. Thirteen years later he set himself up as a stationer and printer and became of the leading figures in the trade. He printed political material, newspapers and literature. He began writing Pamela as a result of a sugg...

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作者简介
Samuel Richardson (1689-1761) was born in Derbyshire, the son of a joiner. He received little formal education and in 1706 was apprenticed to a printer in London. Thirteen years later he set himself up as a stationer and printer and became of the leading figures in the trade. He printed political material, newspapers and literature. He began writing Pamela as a result of a suggestion from friends that he should compile a book of model letters for use by unskilled writers. Pamela was a great success and went on to write Clarissa, one of the masterpieces of European literature.
用户评论
半年时间用在这本不朽经典浪漫悲剧真的是值了,有声书永久珍藏了,听到Vol.2直接哭崩了然后越听越哭的惨&反抗父权男权这种评论用在克拉丽莎身上已经俗毙了,借用哈罗德的话,为本我的崇高操守和自然信念献祭的偏执又坚强的入世圣女,Clarissa之后再无Clarissa&Clarissa和Lovelace之间疯狂对立和激烈不可调和的隐秘又含糊的激情,焚毁自身,又焚毁了彼此,到现在你都再也找不到这种cp了&男主多少是有点病,一天写1万多字的信,安排了三波诈骗的阵仗骗女主,也不想想怎么正常点谈恋爱。。。
“Why, sir, if you were to read Richardson for the story… you would hang yourself… you must read him for the sentiment." 百万字讲一个情节一点都不复杂故事,并且没有任何地方离题或无关主旨,这是怎样的一种精神?!一定要读原著啊。等老了或者能力够了一定要把它译成中文。
特别想把男的都鲨了 🙏
听的广播剧,不知道为什么特别喜欢这个剧情,可能天生讨厌欢喜结局吧。
断断续续读了大半年,读完才发现我的epub版本是删减版,即便这样,把我的iPad竖起来(相当于一本大开本的书)也有将近七百页。//Clarissa用我们现在流行的话语来描述,就是一个完美受害人——虽温柔却聪明坚定,能够直觉地感知危险,坚贞地拒绝坏人的诱惑。最重要的是,她从没爱过男主。男主就像评论家说的,是一个迷人的恶人,像是梅蒂奇和希思克利夫的混合体。我最初非常奇怪女主为什么没有爱上他,后来却觉得女主没法爱他的安排十分合理——证明理查森写得好。他熟悉文史,时不时可以引经据典替自己辩护(反正文史哲从不缺厌女的传统),观点摘出来可以作厌女的范例来分析。//女主和她好友Anna的友谊是书里唯一的亮色,临死前她把Anna叫作自己的sister,lover真让我大洒热泪。这或许是书里唯一
女主这种完美受害人换作今天大概真的能代言metoo运动:在一场精心布置的诱奸布局中被视为猎物的女主,说她只是一个cipher(零的符号),给他人增加意义、自己却只得到痛苦;数百年前说出这种话实在超前。这本文学史上如此重要的作品却竟然一直没有中译本,勉为其难地标记一下吧,当年磕磕绊绊要死不活读了好久,真的、实在太长了(这东西能火说明当时读者真都是有闲阶级啊)。书信有很多内容挺能反映当时的经济社会史,女主所在的家庭一直围绕着钱财相关争吵拉锯,等读者终于变成了一个会计较达西先生资产的俗人时,再读这本书可能会有新的愉悦。
一个不读Clarissa的英文系学生就像亚逼的洞洞鞋上没有装饰, 白女的hydro flask上没有贴纸-a happy and healthy failure
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