Disgrace - J. M. Coetzee

Disgrace

J. M. Coetzee

出版社

Vintage

出版时间

2000-04-06

ISBN

9780099284826

评分

★★★★★
书籍介绍

A divorced, middle-aged English professor finds himself increasingly unable to resist affairs with his female students. When discovered by the college authorities, he is expected to apologise and repent in an effort to save his job, but he refuses to become a scapegoat in what he see as as a show trial designed to reinforce a stringent political correctness. He preempts the authorities and leaves his job, and the city, to spend time with his grown-up lesbian daughter on her remote farm. Things between them are strained - there is much from the past they need to reconcile - and the situation becomes critical when they are the victims of a brutal and horrifying attack. In spectacularly powerful and lucid prose, Coetzee uses all his formidable skills to engage with a post-apartheid culture in unexpected and revealing ways. This examination into the sexual and poliitcal lawlines of modern South Africa as it tries desperately to start a fresh page in its history is chilling, uncompromising and unforgettable.

库切(J. M. Coetzee, 1940―):南非当代著名小说家,自1974年起,先后出版了《幽暗之乡》(Dusklands, 1974)、《国之中心》(In the Heart of the Country: A Novel, 1977)、《等待野蛮人》(Waiting for the Barbarians, 1980)、《迈克尔・K.的生平与时代》(Life and Times of Michael K., 1983;获1983年布克奖)、《敌人》(Foe, 1986)、《铁的时代》(Age of Iron, 1990),以及《彼得堡的主人》(The Master of Petersburg, 1994)等多部小说,被评论界认为是当代南非最重要的作家之一。

用户评论
Lucy 被强奸后的反应和David 之前自己justify 自己的意识流monologue 描写对比蛮受震动的。再可怕悲剧看起来也可以轻描淡写,毫不受触动。empathy with the victim 的时候才知道灾难多么可怕。dog 的主题不是很懂。
灵魂脆弱如旧时包裹软糖的糯米纸,一旦被撕毁,便再也无法复原。所以受过大伤害的人,只能带着残破的灵魂,自暴自弃的活下去吧。这一点,Lucy和那些耽美漫画主角很像啊。
喜欢作者的风格,所有想要表达的东西都在人物对话与人物关系中体现出来,不说一句废话。
novels are mixture of the complications.
复杂。语言简单,内涵深刻而复杂。它也探讨人或生命存在的意义。We live, in disgrace, in nothingness, and disappear. 男人的欲望也是触及的主题之一。还有南非,南非艰难的社会环境。(我先后这里遇到两个南非同学,一男一女,都是白人,都说毕业后死也不回去)。
蛮易读的
女儿的隐忍是有象征意义吧,不然我没法理解
emmm不是我感兴趣的领域
一位是被新社会秩序所困扰的精神旧派老西方,另一位则是接受并内化自己所在现实的第二代,前者的女儿。文明的迭代必须建立在新的秩序上,而这种与先前价值的不同决定了对于何为耻辱的定义。强奸在此中被赋予的不止是政治性的寓意,同时也是一种邪恶的融合象征。这是迈向现代化的代价。相比于《等待》这本书对于文明的讨论更加个人耶更加具像化,不过也因此更局限在作者所处的文化传统中。
开头联想到lolita,但显然远比Lolita复杂深刻。一个住在象牙塔、只关注周围漂亮女性并将对方性化的白人教授,在强奸了自己的漂亮学生之后从社会hierarchy顶端跌落,被住在乡村遭受性暴力的女儿拉进后种族隔离时代面对没有愈合的社会、历史创伤的南非残酷的现实。对hierarchy、patriarchy、sexuality、race、societal historical unjust vs individual just/ unjust 有很深刻的探讨。对animalhood的探讨也很有意思,但因为我自己没有那么熟悉感觉没完全理解
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