拥抱的姿势

[英] 德博拉·利维

出版时间

2026-09-30

ISBN

9787572632037

评分

★★★★★
书籍介绍
在《拥抱的姿势》中,利维邀请读者进入她的私人世界,重读玛格丽特·杜拉斯、西格蒙德·弗洛伊德、薇奥莱特·勒杜克和罗兰·巴特,探讨技术、美食、流行病、郊区生活,顺便分享一段关于勺子、邻居和尼采的趣闻。她的文字令人愉悦,每一页都是一幅美丽而蕴含思辨的自我写照,让我们对她古怪而博学的珍爱之物有了更深入的了解。 关于鞋类她写道:“我一直很清楚,那些只穿鞋不穿袜子的人注定会成为我的朋友和爱人。”关于公共花园:“一个城市的花园广场缓和了周围城市的节奏,在喧嚣之前保持一种思想。”关于伊丽莎白·哈德威克:“她明白什么是文学的关键所在。”关于婚姻的终结:“不需要外星人来告诉我们,当爱情消亡时,我们必须找到另一种生活方式。” —————————— ⭐德博拉·利维女性成长系列最新作,讲述女性及其所珍爱的人与物。前作《我不想知道的事》《生活的代价》《自己的房子》入选《纽约时报》《卫报》《时代周刊》年度好书,豆瓣超12000人读过,超40000人想读,获费米娜外国文学奖、安德鲁·卡内基奖,提名Goodreads读者选择奖 ⭐三度提名布克奖的作家,《泰晤士报》评论她是“当代英国小说中最令人兴奋的声音之一”。 ⭐“生活的意义,在于尽可能打开自己,拥抱生命的一切维度。”生死、语言、性别、消费主义、日常生活诗学……全方位展现德博拉·利维的内心世界,与女性生存于世的姿态。 ⭐利维的文字宛如一幕接一幕璀璨的场景,如梦似幻却又锐利如钻石,绚烂多姿,诙谐幽默。每句话都精准地捕捉到某种情感,且字字精练。——《洛杉矶书评》 ⭐除了弗吉尼亚·伍尔夫,我想不出还有哪位作家能更好地写出生为一个女人的感觉。——《观察家报》
作者简介
德博拉·利维 英国小说家、剧作家、诗人,英国皇家文学学会会员。小说曾三次入围布克奖,并入选弗兰克·奥康纳短篇小说奖和BBC国际短篇小说奖。《泰晤士报》评论她是“当代英国小说中最令人兴奋的声音之一”。她为皇家莎士比亚剧团写过多部剧本。 小水|译者 英语、日语译者,同济大学哲学硕士。主要译作有《瘾君子》《船》《生而为女》《关于偶像,一边纠结一边思考》等。
精彩摘录
  • "The purpose of language for Duras is to nail a catastrophe to the page."
  • "She thinks as deeply as it is possible to think without dying of pain. It is all or nothing for Duras. She puts everything into language. The more she puts in, the fewer words she uses. Words can be nothing. Nothing. Nothing. Nothing. It is what we do not do with language that gives it value, makes "
  • "She knows that when we look at this image we will want to find ‘her’ but the her we find is the art – the whole kinetic composition. I know she is art-directing everything, working out how to do her trick. She is alert, supple, aligned, poised. She has more or less seen this image before she has mad"
  • "All these years later, I still marvel at the eerie poetry of Ballard’s prose. It lingers like a strange perfume over his concise, matter-of-fact sentences, more heightened in the earlier novels and short stories..."
  • "We owe a great deal to the grandly expressive female hysterics of the late nineteenth and early twentieth centuries. Their apparently inexplicable symptoms (loss of voice, paralysis of limbs, anorexia, bulimia, chronic fatigue, fainting fits, indifference to life) were asking subversive questions ab"
  • "Hysteria is not about them, it is about all of us."
  • "Quin was reaching for something new and bewildering in each of her four published novels – the effort and exhilaration of that reach must have sustained her when life was tough. It is not vulgar to comprehend that she was ambitious for her work. Obviously, she put in the hours to design composition "
  • "If girls and women were idealized as virgins, wives and mothers serving God, the Fatherland and Family, Rego had other stories to tell (in paint, pastel, collage and sculpture) about our purpose in life."
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