A Swim in a Pond in the Rain

George Saunders

出版社

Random House

出版时间

2021-01-12

ISBN

9781984856029

评分

★★★★★
书籍介绍
From the New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo and Tenth of December comes a literary master class on what makes great stories work and what they can tell us about ourselves—and our world today. For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times. In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity. A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.
AI导读
核心看点
  • 拆解契诃夫等俄国短篇,揭示叙事节奏与结构奥秘
  • 探讨艺术无需解决问题,只需正确呈现问题本质
  • 融合文本细读与写作心法,打破读者与作者壁垒
适合谁读
  • 渴望提升写作技巧、理解小说运作机制的创作者
  • 热爱俄罗斯文学,希望深入解读经典短篇的读者
  • 对文学理论感兴趣,寻求阅读新视角的普通读者
读前提醒
  • 建议配合书中推荐的契诃夫等原作同步阅读体验更佳
  • 作者语气幽默随和,但分析深入,需耐心跟随思考
  • 不必纠结术语,重点感受作者对人性与故事的洞察
读者共识
  • 被誉为最佳写作课讲义,兼具深度与风趣,令人受用
  • 作者平等尊重的态度,让读者感受到被重视与启发
  • 不仅传授技法,更重塑了读者看待世界与他人的眼光

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "每个人的立场都会存在问题。如果过于相信某一方,就会走向谬误。这并不是说没有立场是正确的,而是指没有一种立场是长久正确的。我们一直在尝试着走出绝对的价值观,却没有注意到,内心想要安顿下来的欲望会蒙住双眼,最终我们不再对事物产生焦虑,永远处于放松的状态中,坚持事物只有某一面是正确的。我最欣赏契诃夫的地方,是他在故事中表现出的自由——他对一切都感兴趣,却又不拘泥于任何固定的价值体系,愿意前往故事带他去的任何地方。"
  • "我们总是在理性地解释、阐述事物,但开始解释或阐述事物之前的那一刻往往才最富有智慧。伟大的艺术往往发生(或者不发生)在那一刻,那一刻我们精准地“了解”到了艺术的存在(我们感受到它了),尽管很难用语言表达出来,因为那一刻是复杂且多元的,但那一刻的瞬间感受真实存在于我们心中,即便无法用语言展现。我认为这就是艺术存在的原因,它提醒我们,这种瞬间感受不仅是真实的,还优于我们通常的(概念式、浓缩的)表达方式。"
  • "生活是艰辛的。活着的焦虑使我们想要判断、确定一个立场,明确地做出决定,拥有一个固定且死板的价值观体系,会是一种极大的解脱。"
  • "这个故事解决了孤独的问题吗?提供解决方案了吗?显然没有。它似乎在说,这种孤独会一直伴随我们,也将永远伴随我们。只要有“爱”这种东西存在,就必然有人不被爱。只要有财富,就必然会有穷人。只要有激情,就必然会有沉闷。本质上,这个故事的结论是:“没错,这个世界就是这样。” 但是,故事的真正魅力不在于其明显的结论,而在于读者在阅读过程中产生的思想变化。契诃夫曾说:“艺术不必解决问题,它只需要正确地呈现问题。”这句话可能意味着:“让我们充分去感受问题吧,而不否认它的任何部分。”"
  • "A story is a linear-temporal phenom non. It proceeds, and charms us (or doesn’t), a line at a time. We have to keep being pulled into a story in order for it to do anything to us."
  • "A story (any story, every story) makes its meaning at speed, a small structural pulse at a time. We read a bit of text and a set of expectations arises."
  • "We could understand a story as simply a series of such expectation/resolution moments."
  • "Characterization, so called, results from just such increasing specifications. The writer asks, "Which particular person is this, anyway?” and answers with a series of facts that have the effect of creating a narrowing path: ruling out certain possibilities, urging others forward. As a particular pe"
作者简介
George Saunders is the #1 New York Times bestselling author of ten books, including Lincoln in the Bardo, which won the Man Booker Prize; Congratulations, by the way; Tenth of December, a finalist for the National Book Award; The Braindead Megaphone; and the critically acclaimed short story collections CivilWarLand in Bad Decline, Pastoralia, and In Persuasion Nation. He teaches in the creative writing program at Syracuse University.
用户评论
足不出户又读了个学位,文本结构分析引人入胜,教授像指挥家般熟练引导读者阅读的节奏,很适合非母语者的英文写作指南,可以说是将俄国大师们的短篇小说嚼碎了、再不带任何保留地喂给我。谦逊的语言,充满耐心的暗示,师之典范
读完此书大概会成为更好的短篇小说读者吧,Saunders 有让我学会关注小说作者的意图,以及反省自己对不同风格不同脑洞的作品是不是一直以来太不宽容了,毕竟阅读短篇小说就是和作者在建立连结,和作者笔下的人物建立连结呀。自己竟也想多写一写。
讲写作的部分让人有些暴躁,作者非常爱用metaphor,过分爱用了;但作为读者的部分还是很有意思的。读罢Gooseberries我对契柯夫真是佩服得五体投地呜呜呜。
特别好!虽然是写作课的讲义,但作为读者可以学习到如何阅读短篇小说。讲的也非常生动。感觉书名应该叫做:how to read short stories like a writer. 我很喜欢之后作者的态度,他不是高高在上地教导你什么,而是邀请你和他一起阅读,并且启发读者。非常好看!
跟着作者一行行一段段地读七篇俄罗斯小说,这个过程虽然由于不停地发问探索感到很累,但是好满足。有些东西没有人指路自己是完全不会想到的,即使其中掺杂了作者的一些主观,也有很大的启发甚至是...感动。啊,浩瀚星河啊,浩瀚星河。
受益匪浅,感觉作者像老师一样,慢慢的带我们领略俄国文学的美丽。最开始根本不关心这些俄国小说都是谁的作品,看到对Tolstoy对家庭不负责的描写才想查查他是谁,没想到啊没想到,他们翻译过来了我每个人都听说过。大学的美国文学老师也是这种风格,这本书让我回想起了她的课堂。看到最后,发现本书作者已经六十多岁了,希望先生健康长寿,很高兴能看到这样的一本书
写得真好 我爱文学
喜欢契科夫的《在大车上》《醋栗》和屠格涅夫的《歌手》。
补记。扎实,受用。
授人以渔的一本书,作为电影人也很受教
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