书籍介绍
'We read in order to come to life.'
With fierce imagination, a woman revisits the moments that shape her life; from crushes on teachers to navigating relationships in a fast-paced world; from overhearing her grandmothers' peculiar stories to nurturing her own personal freedom and a boundless love of literature.
Fusing fantasy with lived experience, Checkout 19 is a vivid and mesmerising journey through the small traumas and triumphs that define us - as readers, as writers, as human beings.
AI导读
核心看点
- 意识流叙事，无完整情节脉络
- 融合幻想与经历，探索女性成长
- 对阅读与写作的极致语言实验
适合谁读
- 喜爱意识流与实验性文学的读者
- 关注女性自我意识与内心世界的读者
- 热爱文学理论及文本互文性的书迷
读前提醒
- 非线性叙事，需适应跳跃思维
- 不必强求逻辑，享受碎片化美感
- 适合静心细读，捕捉文字间的情绪
读者共识
- 写作风格独特，极具语言张力
- 阅读体验如迷失在意识海洋中
- 深刻共鸣于女性隐秘的精神世界
本导读基于书籍简介、目录、原文摘录、短评和书评生成，不等同于全文精读。
精彩摘录
- "It's peculiar, how you can do something a certain way automatically for years and years, then, when you stop and begin to do it another way, you look back on the way you did it for so long and you can't quite believe it--how you just went along with a trite and manipulative depiction of something th"
- "One cannot see the future of something learned."
- "She baked fruitcake, for one thing, that tasted of marmalade and cigarettes."
- "Strictly speaking, one does not acquire the library--it comes to you."
- "I think I lied to him and other men about a lot of little things on a daily basis or was at least vague oftentimes as a way of keeping something of myself back from them. I didn't believe it was a good idea to let them in on everything."
- "The strands are all flying, quivering, intermingling into the web, the waters are shaking the moon."
- "Quin mentions somewhere in one of her shorterpieces the "partition next to my bed," how it "shook at nightfrom the manoeuvres, snores of my anonymous neighbour." If your immediate locale doesn't offer you very much in terms of dependable boundaries it's not entirely inconceivable is it that you'll e"
- "Dale is looking at the camera. I’m looking at the floor."
作者简介
Claire-Louise Bennett grew up in Wiltshire and studied literature and drama at the University of Roehampton, before moving to Ireland where she worked in and studied theatre for several years. In 2013 she was awarded the inaugural White Review Short Story Prize and her debut book, Pond, was shortlisted for the Dylan Thomas Prize in 2016. Claire-Louise's fiction and essays have appeared in a number of publications including White Review, Stinging Fly, gorse, Harper's Magazine, Vogue Italia, Music & Literature, and New York Times Magazine.
用户评论
‘We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.’
yeah we tend to do that don’t we
想找一份电子版，算算book这个单词到底出现了多少次。
（一个resonate：第一天经血的颜色真的很好看）
一位少女对书的意识流情书
Look and substance
很特别的一本书，全程被作者的意识带着走，跟着游来游去
奇思异想 片断回忆 编的故事 看过的作者和他们的书（我对看过很多书的作者有天然好感）…连续密集地输出 无完整的情节脉络 像她站在收银台时脑海中的意识捕捉 以及自我对话。我打开这本书前正好看完一个女孩的回忆 这本的第一章就引用了它～
Jonathan Cape的其他书籍查看全部
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