Mount Wutai

Wen-shing Chou

出版时间

2018-04-03

ISBN

9780691178646

评分

★★★★★
书籍介绍

The northern Chinese mountain range of Mount Wutai has been a preeminent site of international pilgrimage for over a millennium. Home t o more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees. Mount Wutai explores how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries.

Wen-Shing Chou examines a wealth of original source materials in multiple languages and media—many never before published or translated—such as temple replicas, pilgrimage guides, hagiographic representations, and panoramic maps. She shows how literary, artistic, and architectural depictions of the mountain permanently transformed the site’s religious landscape and redefined Inner Asia’s relations with China. Chou addresses the pivotal but previously unacknowledged history of artistic and intellectual exchange between the varying religious, linguistic, and cultural traditions of the region. The reimagining of Mount Wutai was a fluid endeavor that proved central to the cosmopolitanism of the Qing Empire.

A compelling exploration of the changing meaning and significance of one of the world’s great religious sites, Mount Wutai offers an important new framework for understanding Buddhist sacred geography.

Wen-Shing Chou is assistant professor of art history at Hunter College, City University of New York.

用户评论
I generally agree with her understanding of the Qing-Gelukpa collective effort in configuring Buddhist kingship and like her idea of "multimedia hagiography." She makes an excellent choice of material.
Imagining and reimagining the landscape of Mount Wutai in multilingual and multimedium translations. Mediating time, space and history in pan-Buddhist Asia. 写得精彩极了,很喜欢她对五台山的理解:其始终徘徊于历史与当下、永恒与短暂、现实与想象之间,对这些张力的灵活把握使得作者成功在一众讨论复制与朝圣的庸俗研究中脱颖而出。与Berger比较,她相对弱化了对图像所蕴含义理的分析,转而观察图像在多元制作与流动中产生的意义。她做得很成功,但义理与图像的缠结并不是mediate一词所能简单概括与跳过的,我们依然需要回归(这就是自己想做的了lol
三四两章尤为有趣。通过仿建、翻译、追溯前世、制作地图,五台山的时空无限延展又无限压缩。极少数古人才有机会亲临朝台,所以文本与图像都必然被充作visionary sources,成为一群人共同的精神生活。我还感到欣慰的是,这书并没有把五台山变成讨论政治与宗教的工具,而是反过来看人们精神中的山本身。清明过后去朝台!
“在永恒与历史的间隙中,正是清代格鲁派观念中五台山之所在。”最近在看the twilight zone,周文欣笔下的五台山何尝不是另一个“迷离时空”呢?时间与空间在这里被重新定义,无数梦境和幻象,借由山中的信徒和朝圣者,使他们将自己的身份与信仰投射于亘古的山脉中,从而不断延续着五台山的生命,共同交织为如多元宇宙般的传法谱系。妈妈和我说,她青年时和朋友一起去五台山,只记得途中缭绕的迷雾,不知过了多久,就走到了一片广袤的大草地上。云雾突然散去,朋友们狂欢于这牧歌般的景象中,只有她在一瞥间摘采了地上的一个大蘑菇。她说这是她见过最大最白的蘑菇,可蘑菇却在归途中化成了水,就像梦一般,什么都不曾发生过。妈妈认为自己邂逅了文殊的幻影,我也是这样想的。
presentation reference
收藏