Remediation - Jay David Bolter, Richard Grusin

Remediation

Jay David Bolter, Richard Grusin

出版社

MIT Press

出版时间

1999-02-28

ISBN

9780262522793

评分

★★★★★
书籍介绍
Media critics remain captivated by the modernist myth of the new: they assume that digital technologies such as the World Wide Web, virtual reality, and computer graphics must divorce themselves from earlier media for a new set of aesthetic and cultural principles. In this richly illustrated study, Jay David Bolter and Richard Grusin offer a theory of mediation for our digital age that challenges this assumption. They argue that new visual media achieve their cultural significance precisely by paying homage to, rivaling, and refashioning such earlier media as perspective painting, photography, film, and television. They call this process of refashioning "remediation," and they note that earlier media have also refashioned one another: photography remediated painting, film remediated stage production and photography, and television remediated film, vaudeville, and radio.
作者简介
Jay David Bolter is Wesley Professor of New Media and Director, Center for New Media Research and Education in the School of Literature, Communication, and Culture at Georgia Tech University. Richard Grusin is Professor and Chair of English at Wayne State University in Detroit.
用户评论
Media Studies
As hypermedia refers to hypertextual approaches going beyond the realm of text to incorporate visual and audio media, the ‘rich sensorium of human experience’ can be reproduced in the process of hypermediation. Hypermediacy can remediate itself through different media forms, without producing new information, but multiple representation of itself.
Introduction: the double logic of remediation
对”vertigo”仅存的一点印象就是恐高症,奇怪,什么也记不起来。相互塑造,主客体可反转,新媒体的魅力所在。
媒体美学+媒体系谱学观点,聚焦影像媒体(媒体的视觉性)
打开了media的新世界,非常有趣
关键概念:①“再媒介化”(remediation):“新媒介再造先前媒介形式的形式逻辑”;②“直接性”(immediacy):“一种视觉再现的风格,其目标是使观者忘记媒介的存在,相信自己正置身于所再现对象的在场之中”;③“超媒介性”(hypermediacy):“一种视觉再现的风格,其目标是提醒观者注意媒介的存在”。 核心论点:①直接性与超媒介性是再媒介化的两大策略。②数字媒介技术是对直接性的渴望与对超媒介性的迷恋的结合。超媒介性反而有助于制造直接性的效果。自我的真实体验与其说来自对象的在场,毋宁说来自媒介的在场。③一切媒介化都是再媒介化。一切再媒介化都是对媒介化的媒介化。④新媒介的“新性”在于对旧媒介的再媒介化(麦克卢汉)。不存在绝对新或绝对旧的媒介。
花了十天 看了一遍
非常典型的美国学术写法了,要点123啥的太清晰了。 记录几个要点 一切开端于媒介化,所以媒介的谱系(避免了历史这个线性的词)就是不断地再媒介化; 再媒介化的双重逻辑:对直接性的渴望,对超媒介性的迷恋; 再媒介化的悖论:媒介总是力图取消自己的存在; 启蒙主义-浪漫主义-现代主义分别代表了三种处理媒介的方式和策略; 再媒介化是一种网络,涉及物质、社会、经济等各个维度。
théorie du médium
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