A Moveable Feast

Ernest Hemingway

出版时间

1994-11-03

ISBN

9780099909408

评分

★★★★★
书籍介绍
这不是一本关于巴黎的旅行指南,也不是文学明星的八卦合集。真正打动读者的,是海明威把'贫穷'写成了一种近乎奢侈的资本——'十分贫穷,也十分幸福'。书里那些为取暖卖掉大衣、靠面包和咖啡度日的日子,非但不苦,反而让写作变得纯粹:没有应酬,没有体面,只剩下稿子和野心。读者反复回味的,正是这种'一无所有却什么都可能'的状态。它适合那些曾为理想咬牙坚持、也懂得以简朴换取专注的人。而它的争议同样鲜明:冷峻笔触下对女性、对费茨杰拉德的刻薄,让'巴黎是盛宴,但不是每个人的'成了最精准的注脚。它不承诺温暖,只承诺真实。
作者简介
Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short-story writer, and journalist. Nicknaming himself "Papa" while still in his 20s, he was part of the 1920s expatriate community in Paris known as "the Lost Generation", as described in his memoir A Moveable Feast. He led a turbulent social life, was married four times and allegedly had multiple extra-marital relationships over many years' time. For a serious writer, he achieved a rare cult-like popularity during his lifetime. Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea. He received the Nobel Prize in Literature in 1954. Throughout his life he had four wives. During his later life, Hemingway suffered from increasing physical and mental problems. In July 1961, following an ill-advised premature release from a mental hospital where he'd been treated for severe depression, he committed suicide at his home in Ketchum, Idaho with a shotgun.
AI导读
核心看点
  • 海明威回忆20年代巴黎穷困而快乐的写作岁月
  • 记录与菲茨杰拉德等文学巨匠的交往与竞争
  • 展现海明威独特的冰山理论与简洁文风魅力
读者共识
  • 文字优美精炼,被誉为百读不厌的经典散文
  • 充满对巴黎的深情,是年轻作家的精神故乡
  • 虽非虚构,但文学性极强,比小说更动人
精彩摘录
  • "城里有那么多树木,你每天都能看到春天在来临,直到一夜暖风突然在一个早晨把它带来了。有时一阵阵寒冷的大雨会又把它打回去,这样一来似乎它再不会来了,而你的生活中将失去一个季节。在巴黎这是唯一真正叫人悲哀的时刻,因为这是违反自然的。在秋天感到悲哀是你意料之中的。每年叶子从树上掉落,光秃的树枝迎着寒风和凛冽的冬天的阳光,这时你身子的一部分就死去了。但是你知道春天总会来到,正如你知道河水冰结了又会流淌一样。当冷雨不停地下,扼杀了春天的时候,这就仿佛一个年轻人毫无道理地夭折了。 然而,在那些日子里,春天最后总是来临,但是使人心惊的是它差一点来不了。"
  • "城里有那么多树木,你每天都能看到春天在来临,直到一夜暖风突然在一个早晨把它带来了。有时一阵阵寒冷的大雨又会把它打回去,这样一来似乎它再也不会来了,而你的生活中将失去一个季节。在巴黎这是唯一真正叫人悲哀的时刻,因为这是违反自然的。在秋天感到悲哀是你意料之中的。每年叶子从树上掉落,光秃的树枝迎着寒风和凌冽的冬天的阳光,这是你身子的一部分就死去了。但是你知道春天总会来到,正如你知道河水冰结了又会流淌一样。当冷雨不停地下,扼杀了春天的时候,这就仿佛一个年轻人最后毫无道理地夭折了。 然而,在那些日子里,春天最后总是来临,但是使人惊心的是它差一点来不了。 当春天来临,即使是虚假的春天,除了寻找什么地方能使"
  • "他的才能像一只粉蝶翅膀上的粉末构成的图案那样自然。有一个时期,他对此并不比粉蝶所知更多,他也不知道这图案什么时候给擦掉或弄坏的。后来他才意识到翅膀受了伤,并了解它们的构造,于是学会了思索,他也不再飞了,因为对飞行的爱好已经消失,他只能回忆往昔毫不费力飞翔的日子"
  • "That was called transplanting yourself....But in the story the boys were drinking and this made me thirsty and I ordered a rum St. James"
  • "I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil."
  • "Maybe away from Paris I could write about Paris as in Paris I could write about Michigan."
  • "I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them."
  • "There were funny parts always and she liked them and also what the Germans call gallows-humor stories. She wanted to know the gay part of how the world was going; never the real, never the bad."
用户评论
这本书真是百读不厌,喜爱程度大大超过了他的小说,我果然还是更喜欢散文
"There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other...Paris was always worth it and you received return for whatever you brought to it." The sentences are muttered without stop it's as if I can see him doodling these words out with one long stroke. Mesmerising.
写菲茨杰拉德那篇简直太有意思笑死我了简直傲娇啊海明威先生哈哈哈哈
There is never any ending to Paris⋯⋯but this is how Paris was in the early days when we were very poor and very happy.
'when we were very poor and very happy'
海明威对菲茨杰拉德才是真爱
感觉更多是海明威是写给自己看的吧🥹
菲茨杰拉德那两篇真的太好笑了
【英文复健第一本】耀眼的成功者也有“微时”。Life is also worth it when we are very poor and very happy.
关于菲茨杰拉德的那几篇极有趣,值得一读 (wink
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