Repackaged to feature Tolkien's own painting of the Tree of Amalion, this collection includes his famous essay, 'On Fairy-stories' and the story that exemplifies this, 'Leaf by Niggle', together with the poem 'Mythopoeia' and the verse drama, 'The Homecoming of Beorhtnoth', which tells of the events following the disastrous Battle of Maldon. Fairy-stories are not just for children, as anyone who has read Tolkien will know. In his essay On Fairy-Stories, Tolkien discusses the nature of fairy-tales and fantasy and rescues the genre from those who would relegate it to juvenilia. The haunting short story, Leaf by Niggle, recounts the story of the artist, Niggle, who has 'a long journey to make' and is seen as an allegory of Tolkien's life. The poem Mythopoeia relates an argument between two unforgettable characters as they discuss the making of myths. Lastly, and published for the very first time, we are treated to the translation of Tolkien's account of the Battle of Maldon, known as The Homecoming of Beorhtnoth. Tree and Leaf is an eclectic, amusing, provocative and entertaining collection of works which reveals the diversity of J.R.R. Tolkien's imagination, the depth of his knowledge of English history, and the breadth of his talent as a creator of fantastic fiction.
- "Then, as a branch of a genuine art, children may hope to get fairy-stories fit for them to read and yet within their measure; as they may hope to get suitable introductions to poetry, history, and the sciences. Though it may be better for them to read some things, especially fairy-stories, that are "
- "Enchantment produces a Secondary World into which both designer and spectator can enter, to the satisfaction of their senses while they are inside; but in its purity it is artistic in desire and purpose. Magic produces, or pretends to produce, an alteration in the Primary World.It does not matter by"
- "We may put a deadly green upon a man's face and produce a horror; we may make the rare and terrible blue moon to shine; or we may cause woods to spring with silver leaves and rams to wear fleeces of gold, and put hot fire into the belly of the cold worm. But in such 'fantasy', as it is called, new f"
- "Our business with it really only begins when it has been rejected by historians. It is more useful when it has been thrown away."
- "But in fact only some children, and some adults, have any special taste for them; and when they have it, it is not exclusive, nor even necessarily dominant. It is a taste, too, that would not appear, I think, very early in childhood without artificial stimulus; it is certainly one that does not decr"
- "I was keenly alive to the beauty of “Real things,” but it seemed to me quibbling to confuse this with the wonder of “Other things.” I was eager to study Nature, actually more eager than I was to read most fairy-stories; but I did not want to be quibbled into Science and cheated out of Faerie by peop"
- "The sufferings of human beings who come into contact with them (often enough, wilfully) are thus seen in quite a different perspective. A drama could be made about the sufferings of a victim of research in radiology, but hardly about radium itself. But it is possible to be primarily interested in ra"
- "I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now often used: a tone for which the uses of the word outside literary criticism give no warrant at all. In "
