“Witkiewicz takes up and continues the vein of dream and grotesque fantasy exemplified by the late Strindberg or by Wedekind; his ideas are closely paralleled by those of the surrealists and Antonin A

Vahazar

<p>Witkacy's first play, written in 1918 following his four years of service as a Tsarist officer, Maciej Korbowa and Bellatrix portrays the disintegration of the Russian empire and the coming of revo

Maciej Korbowa and Bellatrix

<p>《水鴨》是維奇維茨提倡的「純形式」的好例子。劇中的事件、人物與其說鋪排一個完整的故事，不如說是組成一首樂曲：幾個主題反覆出現，時而移調，時而變奏。副標題所謂的「球面」悲劇，指出了劇情首尾相連，繞了一圈又回到原點。三幕中話題不斷重複，人物之間的互動亦然。在視覺上，三幕都設在夜幕低垂時分。三位老人每一幕都應邀來吃晚飯。四名打雜的男僕不時跑進跑出。眾人掛在嘴邊的「我受不了了」，則彷彿貫穿全曲的基調

Stanislaw Ignacy的作品