李小崧的作品
李小崧Li Xiaosong 我感觉 那些空寂而从容的风景 就是我自己 我注视着自己 永远沉默 I saw My Id Behind these empty yet degage landscapes A curtain of Perpetual tranquility Nadine Fiedler纳丁·菲德勒 my photographs are taken in impulsive moments with a flow of intimity. these are moments i feel touched in emotional context. i like to discover the world of facial and nonverbal expressions. 90 of 100 photos show faces what means a faible obviously. passion and melancholy are playing close in the eye of the beholder. photography is most authentic picture language for me. i like to play with shadow and light but without any use of flashlights. photography is the art of light.- i try to light up what happens inside. after all i prefer black/white analog film cause it is extreme expressive as possible. 我的照片都是在冲动时刻拍下的，伴随着一种隐秘的流动。 那是我在一种强烈的情感性背景里被感染的时刻。我喜欢去发现这世界的面孔以及它不可言说的表情。100张照片里有90张都在描摹脸部，这意味着一种显而易见的嗜好。激情和悲哀在旁观者眼中亲近地玩耍。摄影于我而言是最真实可信的画面语言。我喜欢游戏于光影之间，不使用闪光灯。摄影是光的艺术——我试图将那事物内部所发生的东西照亮。
李小崧Li Xiaosong 我感觉 那些空寂而从容的风景 就是我自己 我注视着自己 永远沉默 I saw My Id Behind these empty yet degage landscapes A curtain of Perpetual tranquility Nadine Fiedler纳丁·菲德勒 my photographs are taken in impulsive moments with a flow of intimity. these are moments i feel touched in emotional context. i like to discover the world of facial and nonverbal expressions. 90 of 100 photos show faces what means a faible obviously. passion and melancholy are playing close in the eye of the beholder. photography is most authentic picture language for me. i like to play with shadow and light but without any use of flashlights. photography is the art of light.- i try to light up what happens inside. after all i prefer black/white analog film cause it is extreme expressive as possible. 我的照片都是在冲动时刻拍下的，伴随着一种隐秘的流动。 那是我在一种强烈的情感性背景里被感染的时刻。我喜欢去发现这世界的面孔以及它不可言说的表情。100张照片里有90张都在描摹脸部，这意味着一种显而易见的嗜好。激情和悲哀在旁观者眼中亲近地玩耍。摄影于我而言是最真实可信的画面语言。我喜欢游戏于光影之间，不使用闪光灯。摄影是光的艺术——我试图将那事物内部所发生的东西照亮。