刁唯的作品
刁唯Swing “别太认真了，因为我们知道得太少，而且很快就会死去。”在我对自己的生活极度不负责任的时候我总用这句话来安慰自己。目前为止我觉得这样很好，至少保证了我活得真实，至少保证了我情感流露得顺畅。我喜欢吃，喜欢旅游，如果你收到我的信或者明信片说明我爱你。 I like to eat and travel, and still write letters and postcards to the ones I love. I often use the Quote:“One must not to take life too seriously，because we know too little and our lives are too short.” to justify my irresponsibility and making sure I follow my guts. 李小崧Li Xiaosong 我感觉 那些空寂而从容的风景 就是我自己 我注视着自己 永远沉默 I saw My Id Behind these empty yet degage landscapes A curtain of Perpetual tranquility Nadine Fiedler纳丁·菲德勒 my photographs are taken in impulsive moments with a flow of intimity. these are moments i feel touched in emotional context. i like to discover the world of facial and nonverbal expressions. 90 of 100 photos show faces what means a faible obviously. passion and melancholy are playing close in the eye of the beholder. photography is most authentic picture language for me. i like to play with shadow and light but without any use of flashlights. photography is the art of light.- i try to light up what happens inside. after all i prefer black/white analog film cause it is extreme expressive as possible. 我的照片都是在冲动时刻拍下的，伴随着一种隐秘的流动。 那是我在一种强烈的情感性背景里被感染的时刻。我喜欢去发现这世界的面孔以及它不可言说的表情。100张照片里有90张都在描摹脸部，这意味着一种显而易见的嗜好。激情和悲哀在旁观者眼中亲近地玩耍。摄影于我而言是最真实可信的画面语言。我喜欢游戏于光影之间，不使用闪光灯。摄影是光的艺术——我试图将那事物内部所发生的东西照亮。 归根结底，我更偏爱黑白摄影，它能做到尽可能极致的表现。 依文零Yi Wenling 这是我的街头摄影作品。大部分作品拍摄于上海、深圳。 机器为家用傻瓜机，动态人物基本为盲拍。 我喜欢在街头闲逛流浪，这些照片都是顺手拍摄。 街头永远是这样一出充满不确定因素的刺激的永不谢幕的剧场，我只是观众而已。 Street scene is my favorite theme. Most of my pictures were taken on the streets of Shanghai and Shenzhen. I take pictures with an ordinary domestic idiot camera. And the dynamic characters were mostly shot “blind”,i.e., without using a viewfinder. I like strolling along the streets and taking pictures conveniently. Streets always strike me as an open and never-ending stage, which is full of uncertainties and dramatic elements. I am but an onlooker.
刁唯Swing “别太认真了，因为我们知道得太少，而且很快就会死去。”在我对自己的生活极度不负责任的时候我总用这句话来安慰自己。目前为止我觉得这样很好，至少保证了我活得真实，至少保证了我情感流露得顺畅。我喜欢吃，喜欢旅游，如果你收到我的信或者明信片说明我爱你。 I like to eat and travel, and still write letters and postcards to the ones I love. I often use the Quote:“One must not to take life too seriously，because we know too little and our lives are too short.” to justify my irresponsibility and making sure I follow my guts. 李小崧Li Xiaosong 我感觉 那些空寂而从容的风景 就是我自己 我注视着自己 永远沉默 I saw My Id Behind these empty yet degage landscapes A curtain of Perpetual tranquility Nadine Fiedler纳丁·菲德勒 my photographs are taken in impulsive moments with a flow of intimity. these are moments i feel touched in emotional context. i like to discover the world of facial and nonverbal expressions. 90 of 100 photos show faces what means a faible obviously. passion and melancholy are playing close in the eye of the beholder. photography is most authentic picture language for me. i like to play with shadow and light but without any use of flashlights. photography is the art of light.- i try to light up what happens inside. after all i prefer black/white analog film cause it is extreme expressive as possible. 我的照片都是在冲动时刻拍下的，伴随着一种隐秘的流动。 那是我在一种强烈的情感性背景里被感染的时刻。我喜欢去发现这世界的面孔以及它不可言说的表情。100张照片里有90张都在描摹脸部，这意味着一种显而易见的嗜好。激情和悲哀在旁观者眼中亲近地玩耍。摄影于我而言是最真实可信的画面语言。我喜欢游戏于光影之间，不使用闪光灯。摄影是光的艺术——我试图将那事物内部所发生的东西照亮。 归根结底，我更偏爱黑白摄影，它能做到尽可能极致的表现。 依文零Yi Wenling 这是我的街头摄影作品。大部分作品拍摄于上海、深圳。 机器为家用傻瓜机，动态人物基本为盲拍。 我喜欢在街头闲逛流浪，这些照片都是顺手拍摄。 街头永远是这样一出充满不确定因素的刺激的永不谢幕的剧场，我只是观众而已。 Street scene is my favorite theme. Most of my pictures were taken on the streets of Shanghai and Shenzhen. I take pictures with an ordinary domestic idiot camera. And the dynamic characters were mostly shot “blind”,i.e., without using a viewfinder. I like strolling along the streets and taking pictures conveniently. Streets always strike me as an open and never-ending stage, which is full of uncertainties and dramatic elements. I am but an onlooker.