书籍介绍
Ke Peng, who was born in Hunan Province and grew up in Shenzhen in China, set her creation in the rapidly developing urban space to awaken other people's perception by projecting her personal experience onto the fragile and sensitive parts of the big city. Essentially The Salt Pond is more like an ecosystem that may be slightly out of balance due to being involved, where the situation of the pond and the fish will eventually refer to people who is trapped in the city but also dependent on the excitement and security it brings.
彭可（b. 1992 湖南长沙，成长于深圳）是一名图像工作者与写作者，现在上海和洛杉矶生活工作，毕业于罗德岛设计学院摄影系。获玛格南基金会和中参馆的Abigail Cohen纪实摄影学术基金，雅伦格文化艺术基金会奖，哈内姆勒新锐摄影奖，并入围华宇青年奖，提名荷兰阿姆斯特丹Foam摄影博物馆Paul Huf Award和集美·阿尔勒发现奖。在Salt Projects、Gallery Vacancy以及连州摄影博物馆举办个展。曾作为驻地艺术家前往伍德斯托克摄影中心、ACRE和The Lighthouse Works创作。她相信“观看”这一静止行为的动态力量，以及图像这种包罗万象且自由深远的语言。她的作品关于城市中流动的人类经验，保护人们自由地建立，与更广阔事物之间联系的空间，以及个体自身的紧密，和不同系统与群体之间的亲密带来的安全感。
Peng Ke ...
(展开全部)
作者简介
彭可（b. 1992 湖南长沙，成长于深圳）是一名图像工作者与写作者，现在上海和洛杉矶生活工作，毕业于罗德岛设计学院摄影系。获玛格南基金会和中参馆的Abigail Cohen纪实摄影学术基金，雅伦格文化艺术基金会奖，哈内姆勒新锐摄影奖，并入围华宇青年奖，提名荷兰阿姆斯特丹Foam摄影博物馆Paul Huf Award和集美·阿尔勒发现奖。在Salt Projects、Gallery Vacancy以及连州摄影博物馆举办个展。曾作为驻地艺术家前往伍德斯托克摄影中心、ACRE和The Lighthouse Works创作。她相信“观看”这一静止行为的动态力量，以及图像这种包罗万象且自由深远的语言。她的作品关于城市中流动的人类经验，保护人们自由地建立，与更广阔事物之间联系的空间，以及个体自身的紧密，和不同系统与群体之间的亲密带来的安全感。
Peng Ke (b. 1992, Changsha, Hunan) works with images and writes, while living between Shanghai and Los Angeles. Graduated from Rhode Island School of Design, she received Magnum Foundation and ChinaFile's Abigail Cohen fellowship. Peng was also given the Hahnemühle New Talent Photography Award, Fondazione EMGdotART Prize, and was nominated for Huayu Art Award, Foam Paul Huf Award and Jimei x Arles Discovery Award. She had solo exhibitions at Salt Projects (Beijing), Gallery Vacancy (Shanghai) and Lianzhou Museum of Photography (Lianzhou). Peng also received fellowships and was an artist-in-residence at The Center of Photography at Woodstock, ACRE and The Lighthouse Works.
