![走向新建筑 - [法] 勒·柯布西耶](https://static.book345.com/covers/s/9787559452382.jpg)
书籍介绍
这不是一本教你盖房子的技术手册，而是一场关于'建筑究竟为何'的激烈论辩。柯布西耶在这里把'工程师美学'奉为圭臬：以经济为律、以计算为刃，让形式服从理性的几何与功能。他嘲笑虚华，主张住宅是居住的机器，呼吁以工业化批量解决人的栖居困境——这套石破天惊的主张，至今仍是专业圈里最具争议的靶子。有意思的是，不少读者恰恰是从翻译的磕绊起步，却在反复咀嚼中触到了书的核心：平面是整体的决定因素，轴线维系秩序，光影与比例构成一种'与宇宙呼应'的理性之美。它适合那些不满足于'房子只是资产'、想追问居住本质的人；也适合愿意忍受晦涩、把建筑当作一门科学来凝视的读者。读它，你获得的不是风格模板，而是一种打量空间的严峻目光。
作者简介
勒·柯布西耶（1887 -1965），法国建筑师、画家、城市规划师、雕塑家，被称为“现代建筑的旗手”，法国现代主义建筑运动的杰出代表，20世纪著名建筑师与设计艺术理论家，国际现代建筑协会（CIAM）的创始成员。柯布西耶致力于为拥挤都市的居民创造更好的生活环境，其于1926年提出的现代建筑五要素（底层架空、屋顶花园、自由平面、自由立面、横向长窗）对20世纪的建筑发展与城市规划产生了深远的影响。
勒·柯布西耶一生著作40余部，完成大型建筑设计60余座，对现代建筑风格有重要影响。“现代建筑的任何东西都可以在柯布西耶的作品和草图中找到”不是一句空话，在柯布西耶的设计生涯中，他的作品包罗万象，成为了后世最好的参考资料。除了建筑，柯布西耶一生中曾设计了一整个城市(印度的昌迪加尔市)，完成近400幅油画，创作了约50件雕塑，设计了100多件家具。同时，柯布西耶还与朋友合办杂志《新精神》，将自己的建筑观点与文学诗歌艺术结合。1923年，又出版了建筑学理论著作《走向新建筑》，用自己对建筑和美的见解影响了一代又一代的业界人士。
AI导读
核心看点
- 提出住宅是居住的机器，倡导功能主义
- 阐述工程师美学，强调标准化与工业化
- 颠覆传统价值观，宣告现代建筑新时代
读者共识
- 现代建筑纲领性著作，影响深远且划时代
- 翻译质量参差不齐，部分版本阅读体验差
- 观点激进如宣言，需辩证看待其功能主张
精彩摘录
- "平面从内部发展到外部，外部是内部造成的。 建筑艺术的元素是光和影，墙和空间。 布局的有序性，这是把目的分级，把意图分级。 如果人们用不属于建筑语言的意图来衡量，人们就会得到平面的花活。由于观念的错误或者癖好浮华你就会违反平面的规则。 设计一个平面，就是明确和固定某些想法。这就是先要有些想法。这就是把这些想法整理得有秩序，使它们成为可以理解的，可以实现的和可以传播的。所以必须表现出一个明确的意图。一个平面应该浓缩，包含着大量的想法和一个起带动作用的意图。 “平面是整体的决定因素；这是一个严肃的抽象，看起来很枯燥的代数学。” 轴线是建筑中的秩序维持者。在建筑中，轴线要有一个目标。有序布局是把轴线分"
- "The Engineer’s Æsthetic and Architecture—two things that march together and follow one from the other—the one at its full height, the other in an unhappy state of retrogression. The Engineer, inspired by the law of Economy and governed by mathematical calculation, puts us in accord with universal la"
- "Our eyes are constructed to enable us to see forms in light. Primary forms are beautiful forms because they can be clearly appreciated. Architects to-day no longer achieve these simple forms. Working by calculation, engineers employ geometrical forms, satisfying our eyes by their geometry and our un"
- "A mass is enveloped in its surface, a surface which is divided up according to the directing and generating lines of the mass; and this gives the mass its individuality. Architects to-day are afraid of the geometrical constituents of surfaces. The great problems of modern construction must have a ge"
- "The Plan is the generator. Without a plan, you have lack of order, and wilfulness. The Plan holds in itself the essence of sensation. The great problems of to-morrow, dictated by collective necessities, put the question of “plan” in a new form. Modern life demands, and is waiting for, a new kind of "
- "An inevitable element of Architecture. The necessity for order. The regulating line is a guarantee against wilfulness. It brings satisfaction to the understanding. The regulating line is a means to an end; it is not a recipe. Its choice and the modalities of expression given to it are an integral pa"
- "A great epoch has begun. There exists a new spirit. There exists a mass of work conceived in the new spirit; it is to be met with particularly in industrial production. Architecture is stifled by custom. The “styles” are a lie. Style is a unity of principle animating all the work of an epoch, the re"
- "The airplane is the product of close selection. The lesson of the airplane lies in the logic which governed the statement of the problem and its realization. The problem of the house has not yet been stated. Nevertheless there do exist standards for the dwelling-house. Machinery contains in itself t"
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