![迷失指南 - [美] 丽贝卡·索尔尼特](https://static.book345.com/covers/s/9787541174513.jpg)
书籍介绍
这是一本教人如何『正确地迷失』的书。丽贝卡·索尔尼特把『丢失』与『迷失』拆成两件事：丢失是熟悉的消失，你仍知道自己身在何处；迷失则是陌生的降临，世界骤然变得比你所知的更大。她并不鼓吹躺平式的随波逐流，而是主张一种有意识的、近乎勇敢的投降——主动放弃对确定性的执念，去未知之地探出自我。书里没有实用的寻路技巧，只有对迷路、孤独、失去与自由的反复掂量：她谈克莱因蓝的忧郁、沙漠的『丰足的匮乏』、把他人生活当作家族照片般亲近。它适合那些被效率与目标驱赶得喘不过气、却又说不清自己真正想要什么的人。读完或许你仍不知要去向何方，但会学会在迷路时保持从容，因为『从不迷失，便不算活着』。
作者简介
丽贝卡·索尔尼特（Rebecca Solnit）
作家，历史学家，社会活动家。已出版著作二十余部，代表作有《迷失指南》《阴影之河》《爱说教的男人》等。曾获古根海姆奖、柯克斯非虚构文学奖、美国国家书评人协会评论奖等多个重磅奖项。2010年被 Utne Reader 杂志评为“25位改变世界的梦想家”之一。
AI导读
核心看点
- 区分丢失与迷失，探索不确定性中的自由
- 九篇自传体散文，融合自然、哲学与艺术
- 以独特视角审视孤独、爱情与生命的追踪
读者共识
- 文笔优美沉静，能抚平情绪唤醒知觉
- 思想深邃独特，非金句堆砌的智性写作
- 部分读者觉得晦涩，需调整阅读预期
精彩摘录
- "Lost确实有两种不同的含义。丢失是熟悉的消失，迷失是陌生的出现。有些物体和人会从你的视线、知识或财产中消失；你丢了手镯、朋友、钥匙。你仍然知道自己在哪里。一切都很熟悉，只是少了一项，缺少了一个元素。或者你迷路了，在这种情况下，世界变得比你所知的还要大。无论哪种方式，都会失去控制。想象一下你在时间中流淌，丢掉手套、雨伞、扳手、书籍、朋友、家园和名字。如果你坐在与列车行驶方向相反的座位上，看到的景色就是这样的。展望未来，你将不断获得到达的时刻、实现的时刻、发现的时刻。风把你的头发向后吹，迎接你的是从未见过的东西。物质在汹涌的体验中消失。它就像蛇蜕皮一样剥落。当然，忘记过去就意味着失去失落感，失落"
- "How will go about finding that thing the nature of which is totally unknown to you? The question she carried struck you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else? certainly for artist of all stri"
- "Lost really has two disparate meanings. Lost things is about the familiar falling away, getting lost is about the unfamiliar appearing."
- ""How will you go about finding that thing the nature of which is totally unknown to you?"Losing really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing...This si what the view looks like if you take a rear-facing seat on the"
- ""How will you go about finding that thing the nature of which is totally unknown to you?" I carried Meno's question around with me for years."
- "The question then is how to get lost. Never to get lost is not to live, not to know how to get lost brings you to destruction, and somewhere in the terra incognita in between lies a life of discovery."
- "There is no distance in childhood: for a baby, a mother in the other room is gone forever, for a child the time until a birthday is endless. Whatever is absent is impossible, irretrievable, unreachable. Their mental landscape is like that of medieval paintings: a foreground full of vivid things and "
- "Yiddish can describe defects of character with the precision that Inuit describes ice or Japanese rain."
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