Published by Aperture in 1982 and long unavailable, Stephen Shore's legendary "Uncommon Places" has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore's large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. "Uncommon Places: The Complete Works" presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore's images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscapes with which ""Un-common Places"" is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits. As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies--Thomas Struth (whose first book was titled "Unconscious Places"), Andreas Gursky, and Catherine Opie among them--"Uncommon Places: The Complete Works" provides a timely opportunity to reexamine the diverse implications of Shore's project and offers a fundamental primer for the last thirty years of large-format color photography.
Stephen Shore was interested in photography from an early age. Self-taught, he received a photographic darkroom kit at age six. He began to use a 35mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. At age seventeen Shore met Andy Warhol and began to frequent War...