书籍 Shenzhen的封面

Shenzhen

Guy Delisle

出版时间

2006-10-17

ISBN

9781894937795

评分

★★★★★
书籍介绍

The follow-up graphic novel to the acclaimed "Pyongyang: A Journey to North Korea""Shenzhen "is entertainingly compact, with Guy Delisle's observations of life in a cold urban city in southern China that is sealed off from the rest of the country by electric fences and armed guards. With a dry wit and a clean line, Delisle makes the most of his time spent in Asia overseeing outsourced production for a French animation company. By translating his fish-out-of-water experiences into accessible graphic novels, Delisle is quick to find the humor and point out the differences between Western and Eastern cultures. Yet he never forgets to relay his compassion for the simple freedoms that escape his colleagues by virtue of living in a Communist state.

Guy Delisle (born January 19, 1966) is a cartoonist and animator from Quebec City, Quebec, Canada, best known for his graphic novels about his travels, such as Shenzhen (2000), Pyongyang (2003), Burma Chronicles (2007), and Jerusalem (2011).

Delisle studied animation at Sheridan College in Oakville, near Toronto, and then worked for the animation studio CinéGroupe in Montreal. ...

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用户评论
不如改名为深圳:孤独之旅,不如平壤那本犀利了,但我还是很爱这种铅笔平涂的画风。
哪里乳化了?观察细致入微,一如既往的细碎幽默,忠实于自己个人的感受,没有大话和宏大叙事。和印象里的深圳非常相似。评论里说作者“广东”和“广州”混淆的。。Canton是广州在英文里的旧称,作者来深圳那个年代用Canton不用Guangzhou非常正常,而且法语里广州就是Canton,加上作者是法语母语者,用Canton指称广州没有什么奇怪的。广交会也是沿袭以前的说法叫canton fair。跟乳化没有半毛钱关系。
人家作者只是调来工作,又不是搞文化研究,某些读者未免要求过高。这种“自我叙述”的东西还是很有趣的。
....
这部感觉Guy Delisle创作的时候情绪太大,没了开玩笑的兴致,导致整体有点闷。
2023/9/26 1997年的深圳,虽然作者有一些居高临下的态度,但很多细节还是应该很还原的。相比2008年在缅甸拖家带口的小日子,深圳之旅更为孤单。作者口中世界上最脏乱的国家虽不至于,但诸如厕所,以及菜市场的垃圾被踩平之类的描述确实能说明一些现象。另外在香港山顶拍p背景图的游客照,也是上海那个时期的常规操作,确实在现在看来有点匪夷所思。以及每家每户标志性的大皮质沙发对着大电视机,墙上挂着西方餐桌的油画,确实和印象中的千禧年前后无不一致啊。
侧面反应了中国人与世界的隔阂与障碍,以及所谓热情好客的悲凉。到是作者在吃的方面特别open minded,97年的深圳,一些难得且有趣视角下的观察
感觉作者没学过社会科学(主要是经济学和中国经济)的样子😓,没能理解刚刚改开的中国。
钢笔涂抹出黑乎乎的城市
流水味儿重,还很轻蔑。
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