Small, Medium, Large, Extra-Large - Rem Koolhaas, Bruce Mau, Hans Werlemann, Jennifer Sigler

Small, Medium, Large, Extra-Large

Rem Koolhaas, Bruce Mau, Hans Werlemann, Jennifer Sigler

出版时间

2002-10-22

ISBN

9781885254863

评分

★★★★★
书籍介绍
S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society. The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.
AI导读
核心看点
  • OMA成立二十年的设计精选与库哈斯犀利文字。
  • 按小中大特大的尺度框架,梳理建筑与社会议题。
  • 库哈斯与布鲁斯·莫的跨界合作,图文排版极具创意。
适合谁读
  • 建筑学专业学生及从业者,深入理解OMA设计逻辑。
  • 对城市理论、当代建筑批评及设计美学感兴趣的读者。
  • 欣赏先锋视觉设计,喜欢碎片化、非线性阅读体验的人。
读前提醒
  • 全书体量巨大,建议按需选读,不必从头到尾通读。
  • 文字风格戏谑犀利,需结合图像与排版整体感知。
  • 内容涉及大量社会文化隐喻,非传统建筑技术手册。
读者共识
  • 排版设计惊艳,是建筑出版史上的里程碑式作品。
  • 文字观点深刻且具颠覆性,但部分读者觉得晦涩。
  • 风格癫狂且充满矛盾,评价两极,有人爱有人嫌。

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "ALPHABETIZED Rose had a kitchen that was so completely alphabetized, you'd find the allspice next to the ant poison."
  • "............. If there is to be a ‘new urbanism’ it will not be based on the twin fantasies of order and omnipotence; it will be the staging of uncertainty; it will no longer be concerned with the arrangement of more or less permanent objects but with the irrigation of territories with potential; it"
  • "Typical Plan is an American invention.It is zero-degree architecture,architecture stripped all the traces of uniqueness and specificity.It belongs to the New World. ... Typical Plan is minimalism for the masses. You can only be in the Typical Plan ,not sleep,eat,make love. ... Heroically,Typical Pla"
  • "Who does not long for that histrionic branch of the profession that leapt like clowns--pathetic yet courageous--off one cliff after another, hoping to fly, flapping with inadequate wings, but enjoying at least the free-fall of pure speculation? Maybe such nostalgia is not merely a longing for the fo"
  • "...a system of fragments. Nothingness here would be a modified Caspar David Friedrich landscape--a Teutonic forest intersected by Arizona highways; in fact, a Switzerland."
  • "If there is a method in this work, it is a method of systematic idealization -- a systematic overestimation of what exists, a bombardment of speculation that invests even the most mediocre aspects with retroactive conceptual and ideological charge. To each bastard, a genealogical tree; the faintest "
  • "Also, the wall is not stable; and it is not a single entity, as I thought. It is more a situation, a permanent, slow-motion evolution, some of it abrupt and clearly planned, some of it improvised."
  • "In comparison, the sixties dream of architecture's liberating potential-- in which I had been marinating for years as a student-- seemed feeble rhetorical play. It evaporated on the spot. 2. The wall suggested that architecture's beauty was directly proportional to its horror."
作者简介
REM KOOLHAAS is founder of the Office for Metropolitan Architecture (O.M.A.); the firm's most important projects include the Lille Grand Palais in Lille; the Kunsthal in Rotterdam; Netherlands Dance Theatre in The Hague; Nexus Housing in Fukuoka; the Dutch House in Holland; and Villa dall'Ava in Paris, all of which are included in S,M,L,XL. Koolhaas is author of the seminal Delirious New York and professor in practice of architecture and urban design at the Harvard Graduate School of Design. BRUCE MAU founded the critically acclaimed firm Bruce Mau Design in 1985. He is the author of Life Style and Massive Change.
用户评论
haha Koolhaas is a quirk
今天买的,超爽!
与其说是讲建筑不如说是讲建筑的表达。对库哈斯感觉一般,但肯定还是要看~
好书。图片完整过了一遍,文字看了一半,不能说都看懂了,也不能说学到多少,但里面对BIGNESS的解读特别吸引人,给我的学习提供了一个新的角度
p1238-1267, whaterver happened to urbanism. 声称urbanism在urbanization的大潮中消失,重新定义“new urbanism”--a way of thinking, 承认混乱的现实,并且要发现多种可能性。Gay Science。
很好看
只是翻阅了喜欢的篇章
my bible
康索做得真漂亮
配合oma那个elements展览来读感觉好一些
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