The Vignelli Canon - Massimo Vignelli

The Vignelli Canon

Massimo Vignelli

出版时间

2010-03-01

ISBN

9781864703696

评分

★★★★★
书籍介绍

This compact book is an invaluable primer for the novice graphic designer or for the experienced designer keen to reconnect with the fundamental principles of design. Master designer Massimo Vignelli draws on his much-awarded design career to offer sage advice on design and strong opinions on the woes that have befallen good design since the advent of desktop publishing. His aim is to give young designers the tools to advance their design skills and increase their creativity, hoping that the discovery of new principles excites and inspires, just as they inspired the young Vignelli. The book is divided into two sections the 'intangibles' and the 'tangibles'. In the former, he urges designers to research, to uncover complexities and to understand the nuances of the job at hand. He urges discipline, adherence to the rules of design, relevance and appropriateness, and the search for what he calls an intellectual elegance, the essence of design. The 'tangibles' section covers many of the visible aspects of design that are essential parts of the designer's tool kit, such as standardized paper sizes, grids, margins, basic typefaces, type size relationships, scale, texture, color, binding and more. Generous illustrations and examples accompany each topic. With this succinct volume, Vignelli has succeeded in sifting through the often ego-driven and subjective field of graphic design to present solid, basic, invaluable advice that aspiring designers will return to again and again.

马西莫·维涅里(Massimo Vignelli,1931—2014)是意大利国宝级设计师,现代主义设计的开拓中坚,二十世纪下半叶视觉传达发展进程中具有深远影响的人物之一。他的设计领域涵盖了包装、产品、家具、展示设计到公共标识。

1966年,维涅里同其他设计师共同创办了“益茂国际”(Unimark International),这家设计所很快便成为了世界上最大的设计公司之一,并为众多世界知名企业设计了身份标识,如美国航空、美国布鲁明代尔百货公司、福特、IBM等。这一时期,维涅里最著名的设计作品是纽约地铁线路图。1971年,维涅里离开益茂国际,与妻子莱拉一起在纽约创办了维涅里设计事务所,被视为设计界的全能常青树。

用户评论
入门级别的书,讲了一下对设计的认知,没啥错也无大惊喜。适合初学。
好的设计不是纯主观无拘无束的天马行空 而是要在系统性知识和一个标准的基础上再进行天马行空
蛮感人的最后一段 有点固执 有点偏执 真的好可爱啊 比较有感触的是一定要有discipline 它作为distill information的filter 前三个语义学概念深有体会 后面的tangible stuff更适用于传统print media技术更新太多了参考一下还行 不适用于每一个人
近期看的最inspiring的一本书啦 | 学到一个优雅的词“intellectual elegance” | “Appropriateness transcends any issue of style.”
看的英文原版,设计排版言语没有废话,完美。
平面设计师必读吧,对我这种想加强一下平面素养的也可以。前后部分分别从虚实去讲述,也确实达到了效果。当然最重要的还是设计师在实践中不断积累出自己的语料库。
实用准则
同事推荐慕名而来,读完深感这是一本值得在设计生涯去反复引用、反思和实践的书。 We are for a design that is intellectually elegant, that lasts and responds to people’s needs and wants, that is appropriate and listens to what a thing wants to be, that is backed up by structure and determination, not happenstance.
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