50 Years of Recuperation of the Situationist International - Wark, McKenzie

50 Years of Recuperation of the Situationist International

Wark, McKenzie

出版社

出版时间

2012-11-01

ISBN

9781616891084

评分

★★★★★
书籍介绍

From Wikipedia: The Situationist International was a small group of international political and artistic agitators with roots in Marxism and Lenninism. They played a central role in the theory underlying the 1968 European uprisings. They managed to use public money to publish Mustapha Khayati's pamphlet On the Poverty of Student Life and distributed thousands of copies, making the Situationists well known throughout the non Stalinist left. They were among the occupiers of the Sorbonne and defended barricades in the riots. A pointed, original and engaged investigation of what remains vital in the endlessly provocative legacy of the Situationist International (SI) 1957 1972, one of the most important and political avant garde groups to emerge after World War II; and how this might open the way to new practices in today's digital culture. Reassesses some of the lesser known figures and projects that emerged from the Situationist movement, including the contributions of two women, Michele Bernstein whose "strategic novel, Tous les Chevaux du Roi (All the King's Men) about her relationship with Guy Debord has recently been reissued in France, and Jacqueline de Jong, founder of the Situationist Times. This book gathers carefully selected images of the Situationists and their work, including vintage photos never published before, as well as work by contemporary artists and groups inspired by Situationist ideas, such as the Bernadette Corporation and the Radical Software Group. A part of the FORuM Project Publication series published in association with the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University.

用户评论
Vidler课第三周文献,说实话,这书很无聊。主题和文风均乏味。书跟P.V.Aureli那本the project of autonomy是同一出版系列,相形见绌。提供一些史料有点价值。Constant与Jorn都是CoBrA画派的早期成员,搞所谓的“涩艺术”(art brut)作为先锋探索。但这先锋到了最后,就像倒洗澡水连小孩一并端掉了,先锋到艺术自己都被消解了。所以这场50-60s的思潮,既不满西方资本主义,又仇视苏式马列,最后表达到城市空间上,就留下那个有名的New Babylon——一个游牧、无家、同质化、摩尔式乌托邦的城市构想。utopia衍生出一个词‘atopia’,意思是“远离栖居之所”,差不多表征国际情境主义者们搞的艺术。书里有两段写到傅里叶空想社会主义里的婚姻(p.37)。
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