Afterlives

Abdulrazak Gurnah

出版时间

2020-09-17

ISBN

9781526615855

评分

★★★★★
书籍介绍

Restless, ambitious Ilyas was stolen from his parents by the Schutzruppe askari, the German colonial troops; after years away, he returns to his village to find his parents gone, and his sister Afiya given away.

Hamza was not stolen, but was sold; he has come of age in the schutztruppe, at the right hand of an officer whose control has ensured his protection but marked him for life.

The century is young. The Germans and the British and the French and the Belgians and whoever else have drawn their maps and signed their treaties and divided up Africa. As they seek complete dominion they are forced to extinguish revolt after revolt by the colonised. The conflict in Europe opens another arena in east Africa where a brutal war devastates the landscape. Hamza does not have words for how the war ended for him. Returning to the town of his childhood, all he wants is work, however humble, and security – and the beautiful Afiya.

As these interlinked friends and survivors come and go, live and work and fall in love, the shadow of a new war lengthens and darkens, ready to snatch them up and carry them away.

阿卜杜勒拉扎克•古尔纳,坦桑尼亚裔英国作家,2021年因“他对殖民主义文学的影响,以及对身处于不同文化夹缝中难民处境毫不妥协且富有同情心的洞察”而获诺贝尔文学奖。古尔纳1948年出生于东非海岸的桑给巴尔岛,20世纪60年代移居英国并求学,最终在肯特大学获得博士学位,留校任教至今。他的主要学术兴趣是后殖民主义写作和与殖民主义有关的论述,特别是与非洲、加勒比和印度有关的论述。曾担任凯恩非洲文学奖和布克奖评审,2006年入选皇家文学学会。古尔纳的作品围绕难民主题,主要描述殖民地人民的生存状况,聚焦于身份认同、种族冲突及历史书写等,他展现的后殖民时代生存现状被认为具有重要的社会现实意义。代表作有《天堂》《海边》《来世》等。

用户评论
87%/2184
我看了,且大受震撼。感谢让我读这本书的老师…回头再想想paper怎么写
让我们有机会看见战争下的普通人。
第一次讀古爾納,且是隨機選的一本,感覺很一般。
The ending is a bit of a letdown...
古尔纳是举重若轻的白描大师,把帝国主义、殖民战争、种族、宗教、性别这些沉重的主题不动声色地融入小人物的营商和爱情,游走在残酷和柔情间,写得素雅而厚重,很多一针见血的评论,借角色之口就不经意间说了出来(my friend, they have eaten you),后劲十足。
和古尔纳无缘🙏🏻
看完之后非常想再去读作者的其他作品。命运的无常被殖民与战争在非洲大地上无限放大了,但除欧洲外的哪片土地不是如此呢。后三分之一的故事虽然略琐碎,但从小Ilyas降生后时间线飞速推进又把全书的人物线索穿起,读起来很酣畅。尤其是结尾处,Ilyas舅舅的人生轨迹真相大白,又让人更加好奇他作为一个拥护殖民者的被殖民者的故事。
结尾戛然而止,让我对这本书的观感从4.5星回到4星。但是整本书读起来非常舒适,读的是英文版,但依然感到十分流畅,只是常有斯瓦希里语的词,故翻阅上译出的中译本找注释理解,译者辛苦。 我读的时候一直对这本书有更多的心里期待,比如我期待着Hamza后续和长官的交集,期待着小Ilyas的事情能有着除了鬼魂以外的其他解释,期待着他们在代代积累的西方影响下,他们的后代能从一个旁观者的视角看清他们被殖民的历史,而不只是一个亲历者,不过这件事似乎是在古尔纳身上得以实现了…正如德国人讶异小Ilyas不晓得再殖民运动,作为西方人的他们只知道站在他们的视角审视这段历史,却没有亲历者的生活视角,而后者同样不具有前者的视角,唯有依靠他们愿意重新审视这段历史的后代将故事重新讲述。某种程度上我觉得这也是古尔纳能获奖的原因
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