Characterizing it as a "mythic discourse," Jean Baudrillard proceeds, in this brilliant essay, to dismantle the powerful, seductive figure of Michel Foucault. In a torrent of haikus, which can now be seen as classically Baudrillardian, he swirls Foucault's concepts of repression, sexuality, production, consumption, and history around in an intense, and often comical, reversal of forces. Exceeding the boundaries of literary or philosophical critique, Baudrillard writes from beyond the horizon of political thought and in a space of phantasmic speculation, finally "using" Foucault's terminologies and public significance to launch his own form of occult, philosophical clarity. In the second half of the book, Baurillard meets his match in an interview with Sylvere Lotringer, who teases Baudrillard with his own ideas, in turn making commentaries on subjects as diverse as panic, ecstasy, and May '68.