Watchmen - Alan Moore, Dave Gibbons (Illustrator/Letterer), John Higgins (Colorist)

Watchmen

Alan Moore, Dave Gibbons (Illustrator/Letterer), John Higgins (Colorist)

出版社

DC Comics

出版时间

1995-04-01

ISBN

9780930289232

评分

★★★★★
书籍介绍
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since. The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
AI导读
核心看点
  • 解构超级英雄神话,探讨权力与道德困境
  • 冷战核恐惧背景下的反乌托邦叙事
  • 复杂非线性结构与深刻哲学隐喻
适合谁读
  • 喜爱深度科幻与反乌托邦题材读者
  • 对超级英雄题材有批判性思考者
  • 欣赏复杂叙事与艺术分镜的读者
读前提醒
  • 需耐心梳理多线叙事与时间线索
  • 关注漫画分镜与文字的双重表意
  • 做好面对绝望基调与黑暗结局准备
读者共识
  • 漫画界里程碑,编剧与绘画完美融合
  • 深刻揭示人性复杂与英雄主义虚无
  • 虽基调压抑绝望,但艺术成就极高

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "听过一个笑话:有个人去看医生,说他感到非常绝望,生活如此残酷艰辛。他说自己在这个充满威胁的世界中感觉如此孤独,前路一片模糊,充满变数。医生说:“药方很简单。伟大的小丑帕格里亚奇今晚来城里了。去看看他的演出吧。他能让你重新振作起来。”这人却嚎啕大哭起来。他说:“可是,大夫,我就是帕格里亚奇。”"
  • "我已经厌倦了这个世界,厌倦了这些人,厌倦了一次又一次被卷入他们复杂纠结的生活中。在亚利桑那,我走进一家废弃的酒吧,一股往日的味道扑面而来……我从破碎的支架上取下了照片……然后离开了。 来到了火星。 这个地方没有钟表的滴答,没有四季的变换,也没有禁锢在沙漏之中粉色沙砾的窸窣。在我的下面,在这沙砾之中,隐藏着我的造物。它被隐藏在砂砾的未来之中。我漂浮在稀薄的空气中。 我的创造开始了。 一个世界在我身边升起。是我在塑造着它的形状,还是它本身的轮廓在指引着我的双手?1945年,核弹在日本落下,齿轮在布鲁克林散落。未来的种子就这么在不经意间播种…… 如果没有我,世界将会完全不同……造成这一切的是我?是那"
  • "太阳距我两亿两千七百万公里。 我所见的阳光已是十分钟前发出的。它再穿行两小时,也到不了冥王星。"
  • "墓园之中,所有的白色十字架都整整齐齐地排成排。巨大的记录版上写着端正的粉笔字。对死者的最后一丝尊重。不带一点唐突烦扰。 爱德华·摩根·布雷克,生于1924年,当了四十五年的笑星。他死于1985年,在纷纷秋雨中下葬。这个就是我们这些人的最终下场?一辈子纷争不断,连交朋友的时间都没有……等到大限来临,只有我们的敌人会来给我们献上一束花。暴力的一生,在暴力中终结,我们不可能死在床上……没那个命。 是我们的性格中出了问题?可能吧。某种野兽的本能驱使着我们挣扎、争斗。就是那个让我们变成这样?这不重要,我们做了我们必须去做的事情。其他人,就像猪崽子一样,把脑袋埋在母猪乳头里,纵情声色,无知自满,只能在母猪"
  • "“那么,你是说,你已经知道他会中枪?……为什么你不出手阻止?” “我没法阻止未来的到来。对当时的我来说,这件事已经发生了。”"
  • "他在这方水土如鱼得水:这里的疯狂,毫无意义的大屠杀…… 我终于开始理解越南,以及在这里所折射出的人性百态,同时我认识到,很少有人会允许自己接受这种理解。 布雷克则不同。 他完全理解了这一切…… ……并且他毫不在意。"
  • "通常,他们会要求向我个人投降,他们对我心怀恐惧的同时还伴随着一种近乎宗教上的敬畏。 这让我想起了广岛核爆后,报道里所描述的日本人对原子弹的态度。"
  • "1985年10月。我决定创造一些新事物,于是转身不再去看那些也许在亿万年前就已经燃烧殆尽的星辰。我不想再看着它们。 我不想再看着逝去的事物。"
作者简介
Alan Moore is an English writer most famous for his influential work in comics, including the acclaimed graphic novels Watchmen, V for Vendetta and From Hell. He has also written a novel, Voice of the Fire, and performs "workings" (one-off performance art/spoken word pieces) with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD. As a comics writer, Moore is notable for being one of the first writers to apply literary and formalist sensibilities to the mainstream of the medium. As well as including challenging subject matter and adult themes, he brings a wide range of influences to his work, from the literary–authors such as William S. Burroughs, Thomas Pynchon, Robert Anton Wilson and Iain Sinclair; New Wave science fiction writers such as Michael Moorcock; horror writers such as Clive Barker; to the cinematic–filmmakers such as Nicolas Roeg. Influences within comics include Will Eisner, Harvey Kurtzman, Jack Kirby and Bryan Talbot.
用户评论
壮哉,手表侠!
神作
大写无能,还是要多读几遍才是…
其实只是看了motion comic
作为马桶读物流放了三个月……然后读到三分之一处开始一发不可收拾。作为graphic novel简直是完美。
四刷,發現了塑造人物变化的細節事件
我的评价是:漫画的巅峰
神作,无论是内容还是形式。看过的情节最复杂的漫画
电影级的分镜和作画,当之无愧是第一漫画。外部的故事和作为隐喻的黑船传奇以画中画的方式互文、内嵌,最绝的是“读漫画的人”竟然在故事发生的重要场景中全程在场,这个对故事的掌控力和布局堪称纸面调度了!大面积的monologue尤其古典,主客观叙述分离的表现是超漫画的。钟表匠那一卷,用平面线性营造角色的多重时间观,浅吟低唱的节奏实在是好中又好。手表人在叙事上至臻如此,以至于想让它的章回故事永恒地持续下去,故而,略显发力不足的反乌托邦结尾章,似乎也是一种对非全能的上帝的主题紧扣了
打破了我对“漫画书”的刻板印象,爆推荐!
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