书籍 The Photographer's Eye的封面

The Photographer's Eye

John Szarkowski

出版时间

2007-03-01

ISBN

9780870705274

评分

★★★★★
书籍介绍

The Photographer's Eye by John Szarkowski is a twentieth-century classic--an indispensable introduction to the visual language of photography. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. But none more radically and succinctly demonstrates why--as U.S. News and World Report put it in 1990--"whether Americans know it or not," his thinking about photography "has become our thinking about photography."

约翰·萨考斯基,摄影师,已退休的纽约现代艺术博物馆摄影部主任。他写过大量摄影类书籍,包括 Look at Photographs 和 Photography Until Now。

用户评论
15
启蒙
非常全面与详细 字字珠玑 醍醐灌顶 --- 于乌干达坎帕拉 Aristock书店
怪不得老师对这本书评价比课本还高
1. The Thing Itself; 2. The Detail; 3. The Frame; 4. Time; 5. Vantage Point
甄选的作品都很高级,很推荐
一句顶一万句
真正的入门必读系列,重点不是“入门”而是“必读”。文字部分对我已然浅显,但照片部分始终是里程碑式展陈,常看常新。(David Hockey的My Parents是否有可能受到Russell Lee的这幅 Tenant Purchase Clients at Home影响,哈哈。)
需要理解。和绘画对比。五个方面并不是割裂的而是以摄影为中心的。物自身-摄影就是反映真实?人们倾向于对照片的信任。媒介成为了人们了解事物的代替。细节-不同于绘画可以创造叙述narrative,摄影只能选取实际中的符号/象征。边框-绘画从中心开始创作,摄影通过边框做出选择。边框可以创造出不同于实际的关系。时间-早期长曝光造成的幻象,短快门对瞬间的把握。决定性瞬间并不是事件的关键而是画面中的元素达到了构成照片的均衡。视点-物体无法移动,但相机可以移动,看待世界的方式/视角其实可以有很多。B站吴晓隆_摄影的语法。里面不少罗伯特弗兰克《美国人》的照片。