书籍介绍
这不是一本讲'如何拍电影'的导演手册，而是一部让人舍不得看完的珍藏画册。它用六场不同地点的对话，把王家卫的十一部电影重新走了一遍：从《花样年华》的餐厅到《重庆森林》的食肆，从杜可风的镜头到王家卫的审美。真正打动读者的，是那种'感受多于文字'的体验——胶片颗粒清晰可见，大尺寸照片里藏着曾被忽略的剧情细节，反复翻看总有新发现。它适合愿意为一本'好贵'的书买单、把欠王家卫的电影票'还清'的人，也适合想借画册慢慢练英语、在反复品读中摸到导演'用不变衬托变'的暧昧节奏的人。它不解释理论，只负责让你'赏色'，然后留下挥之不去的余味。
AI导读
核心看点
- 全书收录王家卫十一部影片幕后影像
- 通过六地对话深度解析导演创作美学
- 探讨电影节奏、音乐与角色塑造关系
读者共识
- 印刷精良，图片质感极佳，值得收藏
- 价格昂贵，但作为艺术画册物有所值
- 王家卫审美品味极高，视觉体验震撼
精彩摘录
- "The beauty in a film is more than how it looks visually. A good film should have an aftertaste: maybe a shot, or a line, or even a moment.Something that stays with the audience for a very long time"
- "Later on, I began to have a habit of playing music while shoot-ina because it sets a rhythm and a mood. The rhythm creates the dance between camera and cast In the Mood for Love is as you say, almost like a musical."
- "But the character changes,even though the music does not. Fellini once said, Show thechanges through the unchanged. "A song is something morethan just the music 用不变来衬托变，除了剧情之外更形而上的是音乐。"
- "I was into Latin American literature by then and took inspiration from Gabriel Garcia Marquez's novel Love in the Time of Cholera. To me, Leslie's character was like the cholera, the epidemic that changes the course of the two women's lives."
- "I was so moved when I saw it that I totally forgot about the helicopter shot. It was so beautiful and dreamy that it totally captured the essence of the last moment of Leslie's character——the last look a bird has at eternity. And that's Chris. Even when everybody is dead, he'll find you something ma"
- "I met with Alan and said, "I know you want me to make films like As Tears Go By." And he said, "Yes, because it's good for you. It's proven, it works, it's what the market wants. Why not take this path?" And I said, "I cannot go back. It's gone.""
- "You have to understand that I came out of television, which is all about lines and plots. But cinema is not about lines and plots. It's about behavior. You learn more about a person from the way he behaves than from what he says because words can be lies. Tony's character talks like he's a nice guy "
- "You see, the way I write my scripts is always very direct and straightforward. I hate having too much detail. It gets in the way of pacing. I keep things simple and relevant to the scene. Action, lines, mood-basically a shot list. I seldom make actual shot lists anymore, nor do I believe in making p"
用户评论
姜文和巩俐演中文版《欲望号街车》，王家卫也是够能想。
出个中文版 我照样买
film is a behavior, not plot and line
229
终于读完了~当年饭桌上LOOK推荐，九苍说买来看看，我腆着脸说给我带本，然后17年SIFF他给我背回来了，在家里躺了两年半，总算读完~非常硬核的创作谈，WKW聊创作一点没有拍电影的百转千回...墨镜王是文艺青年的产品经理，文艺青年并不清楚他们的需求在哪里，墨镜王却天生能捕捉到那种“虚渺”的诉求。台词、人物、电影化场景都是表象，情节更是可以在剪辑台上靠着旁白来倒着编；从《阿飞正传》起就是拿电影当“诗与远方”去拍，将传承、被拒绝/被接受、遗忘这些虚缈的主题（也是所谓“文艺”的主题）以虚缈的方式展开、揭示；就算是政治的内核，也可以被锁在一个同性的故事中...有的人拍摄情节故事，有的人打磨人物性格，有的人却着意营造让人怀念、稍纵即逝的氛围...
图好，片好
翻過等於看過，有時間可以再翻一遍。
如何赋魅和祛魅。我每次想骂他的时候翻开这本书就心软了。
磕磕绊绊看完了原文。
插图很好看，采访也很有趣。
感觉读完后对家卫老师有了更深的理解
买来送小乔。。。
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