Space, Time and Architecture
出版时间
2003-01-22
ISBN
9780674830400
评分
★★★★★
书籍介绍
这不是一本教你如何设计的工具书，而是一套重新塑造我们'感受空间'方式的思维训练。作者吉德恩最锋利之处，在于把建筑从'看什么'推向'如何体验'：金字塔的震撼不在于石块尺寸，而取决于体量之间相互挤压出的空间关系；罗马中庭把'内部'变成最高追求；而二十世纪的视觉革命 abolish 了透视的单一视点，从此人看待建筑与城市的眼光被彻底改写。全书贯穿一个大胆判断——科学、艺术、建筑正在方法论上彼此趋同，而真正理解它们的，是那种'在时间长河中生活'的动态眼光。它适合愿意被'三观调戏'、不满足于记住几座名作、却想获得一套贯穿古今的感知框架的读者。
AI导读
核心看点
- 以动态眼光审视建筑，揭示空间与时间的内在联系。
- 梳理从古代到现代建筑的空间观念演变，奠定现代主义基调。
- 融合科学与艺术视角，提出“模式识别”与整体感知的史观。
读者共识
- 建筑史领域的经典之作，被誉为现代建筑史的定调者。
- 不仅讲建筑，更提供了一套完整且有力的历史思维方式。
- 虽部分论点存争议，但其时空一体的视角影响深远且持久。
精彩摘录
- "In both contemporary science and contemporary art it is possible to detect elements of the general pattern which our culture will embody. The situation is a curious one: our culture is like an orchestra where the instruments lie ready tuned but where every musician is cut off from his fellows by a s"
- "历史不是一篇事实的流水账，而是对于生活的动态过程的调查。 柯布西耶与存在于各时期富有创造性的艺术品中的“永恒的现在”的关系，较其他的人更为密切。 形式并不以其有形的界域为限。形式乃由于发散而使空间成型。现在我们再度明了，形状、表面和平面不仅可以使内部空间成型，其作用一如量体各部分单独存在于空间一样，而其影响所及则远超过其实际度量尺寸的范围。重要的不仅仅是金字塔部分的大小，或是帕提农神殿的完美。使建筑上的最初空间观念得以谱成的是各项量体间的相互影响作用。 第一个空间观念----由于量体与量体间之相互作用而使空间占有的地位。这一时期包含埃及、希腊建筑。内部空间是不在注意之列的。第二个空间观念，由罗"
- "During the first stage--the first space conception--space was brought into being by the interplay between volumes. This stage encompassed the architecture of Egypt, Sumer, and Greece. Interior space was disregarded. The second space conception began in the midst of the Roman period when interior spa"
- "当然，文艺复兴时期的建筑师是以完全不同的方式来使用这些高台与阶梯的。（作者自注：本人深信有关中世纪阶梯的处理（特别是意大利者）问题，迄未有人探讨过。）"
- "There is this remarkable circumstance which we can observe today: science which differ widely in their objects are beginning to resemble each other in their methods. A continued and extensive search for exact knowledge is at the bottom of this growing resemblance. It is being recognized in all quart"
- "One feature of the exterior of the Pazzi Chapel requires mention here: the bold manner of displaying the wall as a flat surface. (Its represent small roof is a later addition.) This wall, with its delicate subdivisions, has nothing to support; it is like a screen that masks the end of the barrel vau"
- "the wisdom of Bergsonian saying that the past gnaws incessantly into the future. It all depends on how one approaches the past. One way is to regard it as a useful dictionary from which one can select forms and shapes. The nineteenth century did this, using the past as a means of escape from its own"
- "To become a constituent element of a volume, the wall had first to be cleansed of all decorative eruptions of the nineteenth century. There had to be a rediscovery of the aesthetic values of the pure surface plane whose expressive power had been lost since Egyptian times. In terms of space conceptio"
用户评论
一言以蔽之：用动态的眼光看建筑。其它皆多余。
对于现代建筑的理解超乎柯布的范畴，但仍然避免不了局限性
更多為當時歐洲一幫現代建築師的強有力的廣告宣傳手冊。書中許多論點、史觀並非經得起推敲。
此书有没有中译本？
"Thinking is trained;feeling is left untrained... To humanize-that is, to reabsorb emotionally-what has been created by the spirit."
时空一体，以臻大同。
建筑与科学的美学。空间-时间=Pattern Seeing。Whole=to feel the thinking. Reinhold Martin在the organizational complex里面对于这本书做了非常精确的解读，也表明了它在建筑史学史中的位置，以及与当时各个思潮之间的关系。国内的外国建筑师一般都是用的Giedion的语气。
建筑史教科书
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