The Nature of the Beasts - Ian Jared Miller

The Nature of the Beasts

Ian Jared Miller

出版时间

2013-07-18

ISBN

9780520271869

评分

★★★★★
书籍介绍

It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.

Ian Jared Miller is assistant professor in the Department of History at Harvard University.

目录
Machine generated contents note: Animals in the Anthropocene
Ecological Modernity in Japan
The Natural World as Exhibition
pt. ONE THE NATURE OF CIVILIZATION
1.Japan's Animal Kingdom: The Origins of Ecological Modernity and the Birth of the Zoo

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用户评论
反倒是战后的部分写得好
哥伦比亚大学2004年博士论文【另,Nigel Rothfels的博士论文Savages and Beasts】
动物园如何能够成为沟通人,自然,动物之间的桥料,以及这种沟通如何通过现代性的文化和政治建设实现。可是这种对自然的割裂,控制,和展示本身是现代性的一部分,更是十九世纪以降帝国政治文化的一部分。
入坑之后再读深感Miller的问题意识之强,而且几乎能把问题意识和理论视角清晰融入每个section甚至每个段落中,值得作为写作模范来学习。
和 Gary Bruce 讲柏林动物园的书有类似的地方,都是将动物园的发展放到近代国家的现代性体验之中:分门别类,整齐,人与自然隔离开了一个安全的观看距离,既可以在城市中感受“自然”,又将“自然”人工地形塑为景观进行展示。动物园在不同时代被当作宣传的工具和对外殖民的展示窗口,唤起国民的自信与对外征服的野心。比起博物馆或者展览馆等“死的”展示,动物园用“真实的”、“活的”(尽管又是人工而粗暴地形塑的)动物性缝合了外部世界与本体论的不稳固,展示了种种“生活在别处”的可能——也正是这种既嵌入生活世界、又要能退后一步对其深思的渴望塑造了所谓的生态现代性,正如动物园里的玻璃,人们可以隐没在黑暗里暗中观察的同时不会“被看”,尽管人们仍然时常会从玻璃的反光中看到自己。(现代性这个词我已经看倦了)
想起了北京的万牲园
因为做这本书的presentation给大家放了哆啦A梦,于是一节课的讨论气氛就欢快了起来…
很好的写作范本,当日本人不再怀疑动物园所代表的人造的自然秩序,也就完成了文明开化以来现代性的彻底内化
其實只看了intro+前兩章 脫離歷史語境的theorization 不過有理論視角的啓發
Z-Library
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