"...how central photography has become within contemporary art practice, and how far removed it is from traditional notions of the way a photographer creates his or her work. ...directing an event specially for the camera...."
"Tableau/Tableau-vivant"
"cool, detached and keenly sharp.... ...photography as a way of seeing beyong the limitation of individual perspective, a way of mapping the extent of the forces, invisible from a single human standpoint, that govern the man-made and natural world."
"...fosters our visual curiosity by subtly and imaginatively encouraging us to contemplate the stuff of the world around us in our daily lives in new ways."
"...borrows and redirects the language of domestic phtography and family snaps for public display."
"How do photographers move from a critique of image-making that implies the loss of the documentary power of photography to a practice that utilizes art strategies to maintain the social relevance of the photograph"
"The effect of modernist critisicm was to create a canon of master practitioners, a history of trailblazers driving photography's capacities, the "few" who could be distinguished from the "many" everyday producers of photographs. In photography's modernist canon, the few are those who typify formal a"
"Contemporary art photography has become less about applying a pre-existing, fully functioning visual technology and more concerned with active choices in every step of the process. This is tied to an enhanced appreciation of the materiality and objecthood of the medium that reaches back to the early"
Deadpan, something and nothing, intimate life, moments in history, revived and remade, physical and material。这几个部分的介绍还算蛮有趣的,比较简洁的概括了现在的一些主要分类,要是写的更学术点就好了。