书籍介绍
《Crave》不是用来“看懂”的戏剧，而是用来被其击穿的体验。全书几乎没有连贯情节，只有A与C两缕声音在爱、丧失与欲望的撕扯中反复交叠、碰撞、缠绕，直至一个人格的彻底崩解。读者反馈里反复出现的，正是这种“比意识流还意识流”的阅读困境：有人一两年前会深爱它，如今却读不下去，恰印证了它只对特定心境敞开。它最锋利的地方，在于把“爱渴望未来”与“人在自知无力时最为强大”并置，让甜腻的私语与圣经般的凛冽语言相互灼烧。它适合愿意被语言本身吞噬、而非寻求故事的读者；不适合寻求情节或情感慰藉的人。这是一封“史上最悲伤的情书”，也是一场拒绝被轻易原谅的剧场。
精彩摘录
- "C If I could be free of you without having to lose you."
- "A Maybe you're all right, C Maybe I'm bad, A But God has blessed me with the mark of Cain."
用户评论
Love by its nature desires a future. We are paranoid about living or dying.
PR6061 A573 C7 ‘ The following morning the body of a girl was found washed up on the beach.’ ‘Absence sleeps between the building at night.’ A Plane. An empty car park. A deep summer shadow. A mountain. A long deep sleep. Happy So Happy Happy and free.
看似四个人自说自话其实总有千丝万缕的联系，没有提供全部的事实所以可以无限延伸解读，关于爱情，性，人，恐惧，欲望，总有能共情的部分。
Kane's schizophrenic writing. Trauma and craving (no wonder the play is titled 'Crave') thus intertwine. 个人的黑暗历史，在近乎自问自答里大回环。唯一能救我的已经把我毁了。
Despair upon despair: modernity is people beaten, starved, crushed, fumbling through the jungle of shits. Repetition is also a kind of silenced violence. Poetically tragic when the lines are written that ‘only love can save me and it destroyed me’ love - the cure and the poison. Free and happy, free and happy.
不顾一切，感到黑暗，沉默和完整。（森林里的篝火围读，肉桂威士忌，爱与罪
呃，现在也不太看得懂这种比意识流还意识流的有关爱与死的写作了，可能心境不一样了（感觉放在一两年前会很喜欢她写的东西，but not now
像涟漪 像阴差阳错 像误解 像自说自话 像对面 像隔间 像重叠 像碰撞 几个世界 一个世界 世界 爱 逐渐 紧紧缠绕 伤 生长 朝向 光 地狱之光
🙇♀️🙇♀️
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