The Moment It Clicks

Joe McNally

出版社

New Riders

出版时间

2008-01-31

ISBN

9780321544087

评分

★★★★★
书籍介绍

Book Description

THE FIRST BOOK WITH ONE FOOT ON THE COFFEE TABLE, AND ONE FOOT IN THE

CLASSROOM

Joe McNally, one of the world’s top pro digital photographers, whose celebrated work has graced the pages of Sports Illustrated, Time, and National Geographic (to name a few), breaks new ground by doing something no photography book has ever done—blending the rich, stunning images and elegant layout of a coffee-table book with the invaluable training, no-nonsense insights, and photography secrets usually found only in those rare, best-of-breed educational books.

When Joe’s not on assignment for the biggest-name magazines and Fortune 500 clients, he’s in the classroom teaching location lighting, environmental portraiture, and how to “get the shot” at workshops around the world. These on-location workshops are usually reserved for a handful of photographers each year, but now you can learn the same techniques that Joe shares in his seminars and lectures in a book that brings Joe’s sessions to life.

What makes the book so unique is the “triangle of learning” where (1) Joe distills the concept down to one brief sentence. It usually starts with something like, “An editor at National Geographic once told me…” and then he shares one of those hard-earned tricks of the trade that you only get from spending a lifetime behind the lens. Then, (2) on the facing page is one of Joe’s brilliant images that perfectly illustrates the technique (you’ll recognize many of his photos from magazine covers). And (3) you get the inside story of how that shot was taken, including which equipment he used (lens, f/stop, lighting, accessories, etc.), along with the challenges that type of project brings, and how to set up a shot like that of your own.

This book also gives you something more. It inspires. It challenges. It informs. But perhaps most importantly, it will help you understand photography and the art of making great photos at a level you never thought possible. This book is packed with those “Ah ha!” moments—those clever insights that make it all come together for you. It brings you that wonderful moment when it suddenly all makes sense—that “moment it clicks.”

About the Author

Joe McNally is an internationally acclaimed photographer, whose career has spanned 30 years and included assignments in over 50 countries. Although the majority of his career has been spent shooting for magazines such as Time, Sports Illustrated, and National Geographic, in the mid-1990s Joe served as Life magazine’s staff photographer, the first one in 23 year...

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AI导读
核心看点
  • 本书打破传统摄影书界限,融合咖啡桌画册的视觉美感与专业教材的实战技巧。作者乔·麦克纳利作为顶级商业摄影师,拒绝空洞理论,直接展示如何为《时代》《国家地理》等顶级刊物拍摄,提供从布光到构图的真实幕后操作指南,强调技术必须服务于画面叙事。
  • 深入解析光线控制的核心秘密,特别是后帘同步闪光等高阶技术。书中详细阐述为何闪光能定格运动主体,以及如何避免前帘同步导致的运动模糊。作者强调摄影师应像魔术师一样隐藏技术痕迹,让读者只惊叹于画面效果,而非关注布光过程,提升作品的艺术感染力。
  • 倡导‘拍你所爱’的摄影哲学,强调拍摄过程中的纯粹快乐与道德责任。作者分享从学徒到大师的职业生涯,包括家庭牺牲与职业困境,提醒读者摄影不仅是技术堆砌,更是情感表达。书中鼓励读者打破常规视角,尝试不同焦段与机位,用取景器重新审视世界,捕捉真实瞬间。
适合谁读
  • 适合已具备基础摄影知识,希望突破技术瓶颈、提升商业拍摄能力的进阶摄影师。本书不提供入门级参数解释,而是针对那些渴望理解顶级杂志图片背后逻辑、学习如何合法且高效地操控光线、提升作品叙事深度与专业水准的严肃摄影从业者或准从业者。
  • 适合对摄影美学有追求,希望理解大师创作思维与心理过程的摄影爱好者。如果你厌倦了枯燥的参数说明书,渴望通过阅读真实案例来洞察摄影师如何在现场快速决策、如何平衡艺术表达与客户要求,本书提供的非说教式、老友般的交流方式将极具启发性和感染力。
  • 适合对人物摄影、环境肖像及现场灯光技术有特定需求的用户。书中大量案例涉及人物拍摄,展示如何在复杂环境下利用现有光源与闪光灯结合,塑造人物形象。任何希望学习如何在不打扰被摄对象前提下,通过技术手段提升照片质感与故事性的读者,都能从中获得实质性帮助。
读前提醒
  • 阅读时请勿跳过任何技术细节,尤其是关于闪光同步、光线控制的部分。作者强调‘除非离开现场,否则别收起相机’,读者应模仿这种态度,反复研读每张照片的布光图与文字说明,思考自己若在现场会如何操作,将书中的技术逻辑转化为自己的肌肉记忆与思维习惯。
  • 注意区分书中技术展示与艺术表达的关系。作者明确反对炫技,强调技术应隐形。读者在阅读时应聚焦于最终画面的情感传递与故事性,而非单纯模仿布光参数。理解作者为何选择某种光线,是为了更好地讲述故事,而非展示设备,避免陷入器材崇拜或技术误区。
  • 建议结合实践进行阅读。书中提到的视角转换、焦段切换等建议,要求读者立即放下相机去尝试。不要仅停留在理论层面,而应在日常生活中练习用取景器框选世界,尝试趴下、登高或改变拍摄角度,体验作者所描述的‘拍摄乐趣’,将书中的理念转化为实际的拍摄行为。
读者共识
  • 读者普遍认为这是一本兼具视觉享受与实战价值的佳作,远超普通技术手册。它没有枯燥的说教,而是以亲切、真诚的方式分享拍摄秘密,让读者感受到摄影的温度。许多读者表示,阅读过程如同与老友促膝长谈,不仅学到了布光技巧,更被作者对摄影的热爱与职业道德所打动,值得反复研读。
  • 读者高度认同书中‘控制光线而非依赖光线’的理念,认为这是提升摄影水平的关键。大家赞赏作者对后帘同步等高级技术的清晰解释,认为这解决了长期困扰的技术难题。同时,读者对作者坦诚分享职业困境与家庭牺牲表示敬意,认为这种真实感让书籍更具深度,警示摄影之路并非只有光鲜。
  • 读者一致强调本书对摄影伦理与创作心态的正面引导。许多人被‘拍你所爱’、‘不要眼高手低’等观点触动,重新审视自己的摄影动机。大家认为,好照片源于大量努力与准备,而非天赋或运气。本书成功激发了读者的创作热情,促使他们放下对完美器材的执念,转而专注于观察、思考与捕捉真实瞬间。

本导读基于书籍简介、目录、原文摘录、短评和书评生成,不等同于全文精读。

精彩摘录
  • "请使用后帘同步闪光。记住,不管使用何种快门速度,热靴闪光的速度总是更高。这就是为什么闪光灯能够定住运动的主体。这就是说,比如快门速度被设定为1/15秒,但闪光却能够在1/1500秒内照亮并定住主体。但关键是,闪光灯在何时到达主体? 前帘同步的情况下,闪光灯在曝光开始的瞬间就会闪亮。这对运动可不适合。在这个模式时闪光会先到达主体,而快门在此后的时间里会持续打开,记录下主体的整个运动过程并破坏原本锐利的影像。 如果是后帘同步,闪光则在曝光完成前的最后一瞬间才闪亮。也就是说,快门打开,主体运动,突然“砰”!闪光灯闪亮并定住主体,之前的影像则拖在后面。结果就是一种更符合逻辑的闪光灯尾迹效果,能让读者更"
  • "除非你已经离开现场,否则别急着收起相机。"
  • "拍你所爱"
  • "这是一本关于如何成为一名摄影师的。 这是关于按下快门的无穷乐趣-不停地按动。快门甜美的声音和拍摄时发生在摄影师脑中和心中的爆炸。一切都是关于这幅照片。拍摄完一幅照片,流动的世界由此凝固,永恒常驻。本来要从此一去不复反的一瞬间被保留下来,不管普通还是独特,我们可以在任意时间重复观看。"
  • "所以转过身来,看看周围,如果你在用广角,不妨换成长焦。如果你一直在眼平高度拍摄,试试趴在地上。如果你一直在地上,要不找架梯子?"
  • "一个摄影师肯定不想让他的读者看了照片说:“哈,他肯定是这么布光的。”不。他只想让读者说:“哇,太棒了。"这和魔术师不想让人看穿他的袖子是一个道理。"
  • "说得过去但远不够精彩的照片。 除非你已经离开了现场,否则别急着收起相机。"
  • "现在就拍 要现在就拍"
作者简介
About the Author Joe McNally is an internationally acclaimed photographer, whose career has spanned 30 years and included assignments in over 50 countries. Although the majority of his career has been spent shooting for magazines such as Time, Sports Illustrated, and National Geographic, in the mid-1990s Joe served as Life magazine’s staff photographer, the first one in 23 years. He also has shot commercial assignments for Target, Nikon, and Sony, to name a few. Joe is a recipient of the Alfred Eisenstaedt Award and has been honored by Pictures of the Year International, World Press Photo, The Art Directors Club, American Photo, Communication Arts, and Graphis. He conducts numerous workshops around the world as part of his teaching activities. One of Joe’s most notable projects, Faces of Ground Zero — Giant Polaroid Collection, has become known as one of the most significant artistic responses to the tragedy at the World Trade Center.
用户评论
feeling!
超赞. 现在已经有中文版了,可怜我当初只能买的原版@@
Shoot what you love. It’s about the sheer joy of clicking the shutter…repeatedly! “The hardest thing about lighting is NOT lighting. We’re talking control of light here— lighting THIS, but not THAT.””When you use straight flash, you turn your camera into a Xerox machine.”正面闪光时,我们手中的相机就成了复印机……
看来光是所有的一切。寻找光!运用光!创造光!
joe's first lighting book
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