The Catcher in the Rye

J. D. Salinger

出版时间

1951-07-15

ISBN

9780316769532

评分

★★★★★
书籍介绍

Anyone who has read J. D. Salinger's New Yorker stories - particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme - With Love and Squalor, will not be surprised by the fact that his first novel is full of children. The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.

Salinger's classic coming-of-age story portrays one young man's funny and poignant experiences with life, love, and sex.

Jerome David Salinger (January 1, 1919 – January 27, 2010) was an American author, best known for his 1951 novel The Catcher in the Rye, as well as his reclusive nature. His last original published work was in 1965; he gave his last interview in 1980.

Raised in Manhattan, Salinger began writing short stories while in secondary school, and published several stories in the early ...

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作者简介
Jerome David Salinger (January 1, 1919 – January 27, 2010) was an American author, best known for his 1951 novel The Catcher in the Rye, as well as his reclusive nature. His last original published work was in 1965; he gave his last interview in 1980. Raised in Manhattan, Salinger began writing short stories while in secondary school, and published several stories in the early 1940s before serving in World War II. Salinger published his first stories in Story magazine which was started by Whit Burnett. In 1948 he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker magazine, which became home to much of his subsequent work. In 1951 Salinger released his novel The Catcher in the Rye, an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield was influential, especially among adolescent readers. The novel remains widely read and controversial, selling around 250,000 copies a year. Biography Jerome David Salinger, was born in New York City on Jan. 1, 1919, and established his reputation on the basis of a single novel, The Catcher in the Rye (1951), whose principal character, Holden Caulfield, epitomized the growing pains of a generation of high school and college students. The public attention that followed the success of the book led Salinger to move from New York to the remote hills of Cornish, New Hampshire. Before that he had published only a few short stories; one of them, "A Perfect Day for Bananafish," which appeared in The New Yorker in 1949, introduced readers to Seymour Glass, a character who subsequently figured in Franny and Zooey (1961) and Raise High the Roof Beam, Carpenter and Seymour: An Introduction (1963), Salinger's only other published books. Of his 35 published short stories, those which Salinger wishes to preserve are collected in Nine Stories (1953). Author biography copyright 1993, Grolier, Inc.
AI导读
核心看点
  • 本书以第一人称视角,真实刻画了16岁少年霍尔顿在纽约游荡的三天经历。他满口粗俗俚语,对周围虚伪的成人世界充满厌恶与批判,这种反叛姿态下隐藏着对纯真丧失的极度恐惧。小说深刻揭示了青春期少年在成长过渡期的迷茫、孤独与精神危机,是理解美国战后青年心理的重要文本。
  • ‘麦田里的守望者’这一核心意象象征着对童真与纯美的守护。霍尔顿幻想自己站在悬崖边,防止奔跑的孩子跌入代表成人世界的深渊。这种对‘假模假式’社会的拒绝,以及对死亡与堕落的敏感,反映了个体在异化社会中寻求精神归宿的绝望挣扎,具有强烈的存在主义色彩。
  • 书中大量使用口语化、情绪化的叙述语言,展现了霍尔顿不可靠的叙事者形象。他看似冷漠、愤世嫉俗,实则内心脆弱、善良且极度渴望被理解。读者需透过其表面的攻击性,洞察其因弟弟艾里去世而产生的创伤后应激反应,以及他在道德困惑中试图寻找自我认同的艰难过程。
读者共识
  • 读者普遍认为,不同年龄段阅读本书会有截然不同的体验。青少年时期可能只看到叛逆与无聊,而成年后重读则能深刻共情其孤独与善良。许多读者表示,年轻时讨厌霍尔顿的装腔作势,长大后却理解了他对纯真的坚守。这种阅读体验的转变,反映了读者自身心智的成熟与对人性复杂性的接纳。
  • 书中关于‘成熟’的定义引发广泛共鸣:不成熟的人愿为理由轰轰烈烈地死去,成熟的人愿为理由谦恭地活下去。这一观点被读者视为全书核心智慧。尽管霍尔顿看似不成熟,但他对虚伪的拒绝和对弱者的同情,恰恰体现了某种道德上的纯洁。读者在批判其消极的同时,也敬佩其不愿同流合污的骨气。
  • 尽管部分读者批评书中充斥脏话、情节松散且主角令人烦躁,但绝大多数读者仍承认其文学价值与情感冲击力。霍尔顿的形象已成为文化符号,象征着对成人世界虚伪的抵抗。读者共识认为,本书的魅力不在于情节,而在于其真实的情感流露与对人性弱点的深刻洞察,是一部能让人在痛苦中获得治愈的经典之作。
精彩摘录
  • "对一个人来说,一辈子里注定会不时去寻找一些他们自身周围所不能提供的东西,要么他们以为自身的周围无法提供,所以放弃了寻找,他们甚至在还没有真正开始寻找前,就放弃了。 一个不成熟的人的标志是他愿意为了某个理由而轰轰烈烈地死去,而一个成熟的人的标志是他愿意为了某个理由而谦恭地活下去。"
  • "问题是我不喜欢这样,琢磨一下就会觉得这主意很馊。我觉得如果你并非真的喜欢一个女孩儿,就不该跟她瞎胡闹。真的喜欢她,就应该喜欢她的脸。如果你喜欢她的脸,就不应该对她的脸做出这种下流事,比方说往她脸上喷水"
  • "你一定得认识到自己想往哪个方向发展,然后一定要对准那个方向出发,要马上。你再也浪费不起多一秒的时间了,你浪费不起。 一个不成熟的人的标志是他愿意为了某个理由而轰轰烈烈地死去,而一个成熟的人的标志是他愿意为了某个理由而谦恭地活下去。"
  • "女孩儿的毛病就在于要是她们喜欢上一个男生,无论此人混蛋到何种程度,她们还是会说他有自卑情结;要是她们不喜欢那个哪个男生,不管这人有多好,或者他有多么严重的自卑情结,她们一样会说他自负,就连聪明的女孩也是这样。"
  • "《麦田里的守望者》(塞林格 美) 1. 我的职务是在那儿守望,要是有哪个孩子往悬崖边奔来,我就把他捉住——我是说孩子们都在狂奔,也不知道自己是在往哪儿跑,我得从什么地方出来,把他们捉住。我整天就干这样的事。我只想当个麦田里的守望者。我知道这有点异想天开,可我真正喜欢干的就是这个。 2. 只是为某一类人,他们在一生中这一时期或那一时期,想要寻找某种他们自己的环境无法提供的东西。或者寻找只是他们认为自己的环境无法提供的东西。于是他们停止寻找。他们甚至在还未真正开始寻找之前就停止寻找。 3. 一个不成熟男子的标志是他愿意为某种事业英勇地死去,一个成熟男子的标志是他愿意为某种事业卑贱地活着。 4. 那"
  • "如果你愿意的话,如果你寻找和等待——接近你内心会非常、非常珍视的认识,首先你会发现,你不是第一个对人类行为感到困惑、害怕乃至反感的,在这方面,绝对不是只有你。了解这一点会让你激动,你还会得到激励。许许多多人跟你现在一样,在道德和精神上同样感到困惑。幸好,有些人对自己的苦恼做了记录,你愿意的话,就能向他们学习。同样会有一天,如果你有了可以教给别人的东西,他们就能从你这儿学到,这种方式是美好的,有来有往的。这不是教育,而是历史,是诗歌。 对受过教育、有学识的人而言,如果他们首先也是才华横溢、具有创新精神的,他们可能会比仅仅是才华横溢和有创新精神的人留下无限多更宝贵的记录,他们往往能更清晰地表达自己"
  • "“是‘你要是在麦田里遇到了我’!”老菲苾说。“是一首诗。罗伯特.彭斯写的。” “我还以为是“你要是在麦田里遇到了我”呢,”我说。“不管怎么样,我老是在想象,有那么一群小孩子在一大块麦田里做游戏。几千几万个小孩子,附近没有一个人——没有一个大人,我是说——除了我。我呢,就站在那混账的悬崖边。我的职务是在那儿守望,要是有哪个孩子往悬崖边奔来,我就把他捉住——我是说孩子们都在狂奔,也不知道自己是在往哪儿跑,我得从什么地方出来,把他们捉住。我整天就干这样的事。我只想当个麦田里的守望者。我知道这有点异想天开,可我真正喜欢干的就是这个。我知道这不像话。”"
  • "我国的青少年生长在社会主义祖国,受到党、团和少先队组织的亲切关怀,既有崇高的共产主义理想,又有丰富多彩、朝气蓬勃的精神生活,因此看了象《麦田里的守望者》这样的书,拿自己幸福的生活环境与资本主义的丑恶环境作对比,却能开阔视野,增加知识。当然,如果有个别青少年分不清两种根本不同的社会制度的界限,不珍惜祖国的社会主义精神文明,竟也去盲目崇拜或模仿霍尔顿的思想、举止和言行,那自然是十分错误的了。对此我们也应该有所警惕。"
目录
Introduction 7
Biographical Sketch 9
The Story Behind the Story 16
List of Characters 21
Summary and Analysis 25

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用户评论
This book just about kills me. I swear to god, while I was reading it, one minute I was laughing like a madman and all and the next I was depressed as hell.
购自……好像是吉隆坡。
Everytime you got so piss off by Holden Caufield that you closed the book. Damn depressing! And the second day you started talking like him and thinking like him. You even sort of felt glad that his miserable journey was coming to the end. But in the end it is so beautiful. I wished it ended with 'I whished you could've been there'
读过的为数不多的英文原著中最好的,没有之一。
哎我觉得salinger要是知道他的书被我这种傻逼读过心里一定会不高兴的
一个骂骂咧咧讨厌全世界的少年,却因为学校墙上有fuck you而冒火
到底哪里可以搞到林拉德纳的有人喜欢冷冰冰!
Boy!我真喜欢这本啊!好笑又很伤……holden和Phoebe在一块的片段真的killed me,上课看流泪了。
damn good. old Phoebe is so damn lovely. Juses. Holden a sonvabitch
shitshitshit
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