Ansel Adams in the National Parks - Richard B. Woodward, Ansel Adams

Ansel Adams in the National Parks

Richard B. Woodward, Ansel Adams

出版社

Ansel Adams

出版时间

2010-10-18

ISBN

9780316078467

评分

★★★★★
书籍介绍
For many people images of the major national parks in th US exist in the mind's eye as Ansel Adams photographs. A dedicated environmentalist as well as renowned artist, he was one of the 20th century's most ardent champions of the parks system. Through his photos, essays and letter-writing campaigns, he helped create new parks and better protect existing ones. He worked in more than 40 national parks over 50 years - including Shenandoah, the Great Smoky Mountains and Acadia in the East - and his work in the California High Sierra resulted in some of the most indelible images of the natural world ever made with a camera. 50 of the images in this volume have not been published in any authorized Ansel Adams book previously; many more are rarely seen. A substantial essay by photographic critic and historian Richard B. Woodward lays out Adams' significant role tracing the history of American conservation. The selection of photographs was made by Andrea G. Stillman, Adams' assistant late in life and a foremost expert on his work. A group of thumbnail images with brief narratives, enlivened by quotations from Adams, appears at the back of the book.
用户评论
黑白風光大師。
1941至42年亚当斯被聘请为华盛顿内政部办公楼制作大幅摄影壁画,他带着8×10英寸相机和三脚架走访美国西部众多国家公园和历史遗迹,二战爆发后,到47年才在古根海姆基金资助下再次前往阿拉斯加、太平洋西北岸和北美洲东海岸等地拍摄。 他是自约翰·缪尔以来在提高大众对美国荒野的认知和欣赏方面贡献最多的人。他也抵触林务局持实用的经营理念来保护荒野的做法,认为应该尽可能让荒野保持接近原始的状态,保留其作为“精神资源的潜力”。触摸岩石、品尝溪水,睡在星空下 给人宁静独处的时光。亚当斯虽然追求“镜头的简单陈述”,但要求用精细的技术手段来处理每一次表达,让山脉、树木、海浪和雾,都有种亘古的感觉。缪尔在梭罗的哲学框架里增添宣传者的笔触,但亚当斯没有延续他们的自然神学理念,而是相信艺术会创造出荒野本身的美。
full of natural wonders.
正如封面所见,玩大画幅相机的前提是你得有一辆车。看吐了现代摄影的大光圈虚化,是时候用亚当斯的极小光圈来洗洗眼,我原以为F64小组只是个夸张的理想称谓,想不到他们还真是执着于使用当时的最小光圈值。
专治ins高饱和hdr风光摄入过量
感受得到一种广阔的,对自然界的热爱。不拘泥于构图和平衡,但是显而易见的是:这就是美
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