All Mine! - Stephen Owen

All Mine!

Stephen Owen

出版时间

2021-12-01

ISBN

9780231203111

评分

★★★★★
书籍介绍

Under the Song Dynasty, China experienced rapid commercial growth and monetization of the economy. In the same period, the austere ethical turn that led to neo-Confucianism was becoming increasingly prevalent in the imperial bureaucracy and literati culture. Tracing the influences of these trends in Chinese intellectual history, All Mine! explores the varied ways in which eleventh-century writers worked through the conflicting values of this new world.

Stephen Owen contends that in the new money economy of the Song, writers became preoccupied with the question of whether material things can bring happiness. Key thinkers returned to this problem, weighing the conflicting influences of worldly possessions and material comfort against Confucian ideology, which locates true contentment in the Way and disdains attachment to things. In a series of essays, Owen examines the works of writers such as the prose master Ouyang Xiu, who asked whether tranquility could be found in the backwater to which he had been exiled; the poet and essayist Su Dongpo, who was put on trial for slandering the emperor; and the historian Sima Guang, whose private garden elicited reflections on private ownership. Through strikingly original readings of major eleventh-century figures, All Mine! inquires not only into the material conditions of happiness but also the broader conditions of knowledge.

Stephen Owen is James Bryant Conant University Professor Emeritus in the Department of East Asian Languages and Civilizations at Harvard University. His many books include, most recently, Just a Song: Chinese Lyrics from the Eleventh and Early Twelfth Centuries (2019).

目录
Introduction
1. What’s in a Name? The Biography of the Retired Layman Six Ones
2. The Magistrate of Peach Blossom Spring
3. Missing Stones
4. All Mine: The Poetics of Ownership

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用户评论
Kindle版已阅。前五章已翻译成中文《快乐、拥有、命名:对北宋文化史的反思》结集在《华宴》之中。第六章可能是新添?文章最初来源于2010年的北大讲座。主要还是谈了关于快乐、拥有与命名的三个核心问题。快乐是对于财产的私有占领之上,还是建立在共有的基础纸上?快乐的获得是单纯的拥有或者是仅仅是一种过程?拥有到底蕴涵着什么?是私人的占有还是与大众的分享?拥有权的重要性是建筑在什么基础上的?命名为什么重要?命名是否表的是一种归属权?显然宇文所安将陶渊明、欧阳修、黄庭坚、曾巩等等文人纳入到这一探讨体系之中。至少在宇文所安看来,欧阳修执迷与对于物件的私人占有,并且将这种占有建构在帝国系统之中。而所有文章更有意思的是怎样把文本看做是“家”系文本?这些文本是怎样产生对话并且达到某种程度的变异的?12
宣告主權才算佔有,只有擁有才能快樂。統統都是我的!雖然《華宴》已收趙穎之譯、田曉菲校的部分中譯章節,但並非足本,英文專著雖有炒冷飯以及discursive之嫌,概念卻是完整的,文本細讀放在北宋文化史思路下仍然流光溢彩,未踰越楊曉山和艾朗諾的前作創見。謝@mokpo 📚 #讀而愛#011
写得精彩。快乐、拥有、命名皆围绕“物”之地位与所有权的崛起而展开,背后则是商业与士人文化的纠缠。当然也有一些遗憾,比如在对醉翁亭记的分析里,作者差一点就要触及到问题的核心了,最后却只以“能指的世界”草草带过;私人空间作为帝国空间的微缩这部分很巧妙,但我不知道这在修辞之外还有多少意义,或许在作者看来修辞就是意义的全部吧。这也是本书最打动我的地方:作者当然可以援引一系列政治及社会史著作让论点更为有力,但他只是让其退居幕后。他始终站在文学文本之内,不仅抵制着哲学的透明性、也抵制着历史叙述的规律性。在文本自身的映照、歧异与幽默中,作者睹见了写作者所处的社会情境:他们以文本这一不可化约与替代的形式记录并回应着变化的时代。这并非是将文学独立于时代与社会,而恰是在广袤的时代中重新为文学挽回了它应有的位置。
待出
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