The Shahnameh

Hamid Dabashi

出版时间

2019-02-05

ISBN

9780231183444

评分

★★★★★
书籍介绍

The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem.

In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insightfully traces the epic’s history, authorship, poetic significance, complicated legacy of political uses and abuses, and enduring significance in colonial and postcolonial contexts. In addition to explaining and celebrating what makes the Shahnameh such a distinctive literary work, he also considers the poem in the context of other epics, such as the Aeneid and the Odyssey, and critical debates about the concept of world literature. Arguing that Ferdowsi’s epic and its reception broached this idea long before nineteenth-century Western literary criticism, Dabashi makes a powerful case that we need to rethink the very notion of “world literature” in light of his reading of the Persian epic.

Hamid Dabashi is Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is a founding member of the Institute for Comparative Literature and Society at Columbia University. Among his most recent books are The World of Persian Literary Humanism (2015) and Persophilia: Persian Culture on the Global Scene (2016).

用户评论
去年的新书,精美~“So as you see you enter the commencement of these lines of poetry, and before you know it a whole different universe is opened up to you. You keep reading and going down the lines, every line a step upward and downward and sideways into the making of an edifice that the poet and you build together. ”~
什叶派菲尔多西于11世纪完成列王纪时,逊尼派尚为大伊朗地区的主流宗教;而当16世纪的萨法维王朝将再造的波斯帝国强行扭转向什叶派后,列王纪内核中的悲剧意识与以卡尔巴拉的悲剧为中心的什叶派殉道者叙事不谋而合产生了共鸣。史诗讲述多起父亲直接或间接、有意或无意导致儿子死亡的故事,每一场胜利都预示着将来的陨落,再伟大的英雄也终被恶魔的诱惑与血亲的嫉恨拉下深渊。因此作者形容列王纪的文本体现着一种与Freudian迟发型服从相反的“迟发性反抗”以及“创伤性无意识”,政治与道德彼此互斥,它与伊玛目侯赛因的反抗/殉难叙事亲近,而与从赞助菲尔多西的萨曼王朝开始无数波斯化帝国试图利用史诗强化合法性、荣耀君主的尝试天然矛盾。史诗由此免于被帝国劫持,并且历代帝国的历史事件反过来为史诗提供新的重述契机。
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